Winter Landscape, ink painting on paper scroll (part of a work called Autumn and Winter Landscapes) created about 1470 by Japanese artist and Zen Buddhist priest Sesshū. Sesshū is regarded as the greatest master of Japanese monochrome ink painting.
Sesshū devoted his life to art. As a young man, he entered Shōkoku Temple in Kyōto, where he received training in Buddhism under Zen master Shurin Suto and painting under the guidance of Shūbun. Winter Landscape was created in his personal version of the style of Chinese landscape artist Xia Gui, marked by its use of hatsuboku (splattered ink). The poetic legacy of his Japanese teachers is also recalled here.
Sesshū depicted mountains, cliffs, and rocks in a technique that combines bold outlines with more delicate lines to create a feeling of three-dimensionality. The painting’s most notable element is the long line that slashes vertically through the top of the composition, with the mountains to the right of it appearing spiky and crystalline, as though made of ice. In the center, a Buddhist monastery crouches under the mountains, and in the foreground a lone figure trudges through the landscape. Sesshū was thought of as the greatest artist of his time during his lifetime, and his style was imitated for centuries after his death.