Women’s History: Female Jazz Singers

Question: “Sassy” came by her nickname when performing with Billy Eckstine’s band.

Answer: Sarah Vaughan earned the nickname “Sassy” when she performed with Billy Eckstine’s band in the 1940s before pursuing a solo career. During her tenure, she performed with the founders of bebop, Charlie Parker and Dizzy Gillespie. She was later bestowed the nickname “the Divine One.”

Question: This White Christmas (1954) star got her start singing duets with her sister on the radio.

Answer: Rosemary Clooney might be best known for starring opposite Bing Crosby in White Christmas, but she started her career in the mid-1940s singing duets with her younger sister, Betty, on the radio. The duo became known as the Clooney Sisters and toured with Tony Pastor’s band before Rosemary moved to New York in pursuit of a solo career.

Question: This R&B singer’s rendition of “At Last” made her a star, but she had a string of hits, including “Roll with Me, Henry,” before “At Last” was released in 1961.

Answer: Etta James is probably best known for “At Last,” but she first found success when she wrote “Roll with Me, Henry” with Johnny Otis. Retitled “The Wallflower,” the song reached number two on the R&B charts in 1955.

Question: This singer became a star when she took on the lead role in the film Stormy Weather (1943). Her rendition of the title song became her trademark.

Answer: Lena Horne appeared in numerous films in the early 1940s before becoming a star with the lead role in Stormy Weather. She reinterpreted her sweet rendition of the title song decades later with more mature complexity.

Question: This popular singer became a songwriter with “What More Can a Woman Do?” and later wrote theme songs for such movies as Lady and the Tramp (1955).

Answer: Peggy Lee broke conventions for female jazz singers when she wrote the lyrics for “What More Can a Woman Do?” and “You Was Right, Baby” in 1944. She enjoyed a successful singing and writing career, penning the theme song for Johnny Guitar (1954) and songs for Disney’s animated film Lady and the Tramp.

Question: This “Queen of the Blues” won a Grammy for her rendition of the song “What a Diff’rence a Day Makes.”

Answer: Dinah Washington, who was born Ruth Lee Jones and was the self-appointed “Queen of the Blues,” won a Grammy for best R&B performance in 1959 for “What a Diff’rence a Day Makes.” It was inducted into the Grammy Hall of Fame in 1998.

Question: Whose autobiography is titled Lady Sings the Blues?

Answer: Billie Holiday, byname Lady Day, wrote her autobiography Lady Sings the Blues with William Dufty in 1956, chronicling her troubled youth and struggles with heroin addiction. The book was adapted into a movie in 1972 starring Diana Ross.

Question: This quintessential swing singer was known for her improvised scat solos, a technique invented by one of her frequent collaborators, Louis Armstrong.

Answer: Ella Fitzgerald, “the Lady of Swing,” frequently broke into scat solos during such recordings as “How High the Moon.” Louis Armstrong, with whom she collaborated on three albums, was one of the inventors of wordless singing.

Question: The career of this “Empress of the Blues” is often overshadowed by her untimely death from injuries sustained in a car accident.

Answer: Bessie Smith, often billed as the “Empress of the Blues,” had a successful performing career in the 1920s, but she might be more known for the controversy surrounding her death from injuries sustained in a car accident in 1938. Ensuing stories suggested that nearby hospitals refused her treatment because of her skin color.

Question: This Juilliard-educated pianist rejected the label of jazz singer and became known for her political activism with songs like “To Be Young, Gifted and Black.”

Answer: In pursuit of a career as a concert pianist, Nina Simone took a one-year scholarship at Juilliard School of Music in the late 1940s. Throughout her career, she was often billed as a jazz vocalist, but she rejected the label, composing and performing in a variety of genres, including blues, folk, and gospel. She became committed to the civil rights movement in the 1960s and composed numerous protest songs, which included “To Be Young, Gifted and Black.”