Equipment and technique
Boots and blades
Skaters wear leather boots, sometimes custom-fitted, reinforced with thick padding to brace the ankle and with wide tongues for control and flexibility. The figure skate’s blade is about 3/16 inch (4 mm) thick. It is hollow-ground to emphasize its two edges, although the skater usually uses only one edge at a time. The front of the blade, called the toe pick, contains serrations, which are planted into the ice and help the skater in certain jumps. The blade also allows the skater to pivot quickly on the ice in order to perform rapid 360-degree spins. Ice dancers wear skates with shorter blades and looser padding to facilitate quick foot movement.
Figures and moves in the field
Figure-skating movements are performed on either the inside (the edge nearer the inside of the foot) or the outside edge of the blade while moving forward or backward. Most movements are based on what are called school figures, the elements of which are curves and turns performed in a precise manner to form two or three connected circles. Figures have many degrees of difficulty and develop edge control, balance, and turning skills on a single skate over a small area of ice called a patch. For mastering figures the USFSA required a skater to complete nine tests. In all there were more than three dozen separate figures to perfect, and many had to be traced with each foot. The simplest was the outside and inner figure 8, and the most difficult was the paragraph loop or the paragraph double three, which required two complete circles on one foot.
“Moves in the field,” instituted after the elimination of figures, are intended to develop balance, power, stroking, extension, and edge skills. Starting with such basic edges as crossovers, spirals, and 3-turns, skaters progress to more intricate moves called mohawks, cross rolls, and edge pulls. However, unlike figures, which were confined to a small patch of ice, moves in the field are performed on the full extent of the ice. In the United States the USFSA requires skaters to complete eight tests of these moves in order to reach the top, or senior, level.
Training and injuries
Most beginning skaters, whether children or adults, enroll in classes where they learn such basic skills as falling down, standing up, and forward and backward crossovers. As skaters advance in skill level, they turn to private coaches to provide more in-depth instruction.
Competitive skaters now spend more time on conditioning and weight training than they did in the 1970s and ’80s. Because they no longer have to spend up to four hours a day practicing figures, they can now spend that time on freestyle skating. To counterbalance the additional stress, they do more off-ice training, including lifting weights, endurance conditioning, stretching, and dance. On a typical day a skater may spend two or three hours on the ice and two hours in adjunct training.
The downside to the increased emphasis on athleticism is the increase in injuries. Skaters are also staying in the sport much longer than in the past, and this accounts for the high rate of injuries seen in male skaters starting in their late 20s. Triple axels and quads are very stressful on skaters’ ankles, knees, and backs. Younger skaters are also injured more frequently because they start attempting triple jumps at much earlier ages. Of course, medical care and technology are much more sophisticated as well, and all athletes are taking advantage of the medical advances. Conditioning, too, is starting at an earlier age, and it is hoped that this will cut down on injury rates.
Some injuries will continue to occur, however, such as the fall that U.S. pairs skater Paul Binnebose took in September 1999. He was practicing a lift with his partner when he fell backward, hitting his head on the ice. The injury nearly cost him his life, but he recovered enough to work as a skating coach. Now there is interest in requiring pairs skaters to wear special helmets in practice to prevent such catastrophic injuries.