Clark Gable summary

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Clark Gable, (born Feb. 1, 1901, Cadiz, Ohio, U.S.—died Nov. 16, 1960, Hollywood, Calif.), U.S. film actor. He debuted on Broadway in 1928 and went to Hollywood in 1930. After an initial rejection MGM signed him, and within a year he was playing romantic leads. He triumphed in It Happened One Night (1934, Academy Award). His sardonic virility and lighthearted charm appealed to men as well as women, and he became known as “the King.” Among his 70-odd films are Mutiny on the Bounty (1935), San Francisco (1936), Saratoga (1937), and, most memorably, Gone with the Wind (1939). After the death of his third wife, Carole Lombard, he became disenchanted with the film industry and joined the Army Air Corps, receiving the Distinguished Flying Cross and Air Medal for his wartime bombing missions. He later returned to Hollywood, starring in films such as The Hucksters (1947), Mogambo (1953), and The Misfits (1961).

Carole Lombard Summary

Carole Lombard was an American actress who was known for her ability to combine elegance and zaniness in some of the most successful and popular film comedies of the 1930s. After studying acting and dancing as a child, she made her screen debut as a 13-year-old tomboy in A Perfect Crime (1921);

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or

film Summary

Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film