Georg Philipp Telemann summary

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Georg Philipp Telemann, (born March 14, 1681, Magdeburg, Brandenburg—died June 25, 1767, Hamburg), German composer. By age 10 he had learned several instruments, and he composed an opera at age 12, but his family discouraged his pursuit of a musical profession. While studying law at Leipzig University, he organized student music groups and became music director of the Leipzig Opera (1702), organist at the New Church (1704), and kapellmeister to a count (1705). Moving to Eisenach (c. 1708), where he met Johann Sebastian Bach, he composed French-style instrumental music and German-style sacred music. He moved to Gotha (1717) and then Hamburg (1721), where he served as musical director of the Opera (1722–38), for which he wrote several dozen Italian-influenced works. He wrote some 600 cantatas and a total of some 2,000 pieces, many of high quality.

cantata Summary

Cantata, (from Italian cantare, “to sing”), originally, a musical composition intended to be sung, as opposed to a sonata, a composition played instrumentally; now, loosely, any work for voices and instruments. The word cantata first appeared in the Italian composer Alessandro Grandi’s Cantade et

Passion music Summary

Passion music, musical setting of the suffering and Crucifixion of Christ, based either on biblical texts or poetic elaborations. Dating from the 4th century onward, they range from unaccompanied plainsong to compositions for soloists, chorus, and orchestra. In the medieval Passion the deacon sang

oratorio Summary

Oratorio, a large-scale musical composition on a sacred or semisacred subject, for solo voices, chorus, and orchestra. An oratorio’s text is usually based on scripture, and the narration necessary to move from scene to scene is supplied by recitatives sung by various voices to prepare the way for

music Summary

Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Both the simple folk song and the complex electronic composition belong to the same activity,