Georges Seurat, (born Dec. 2, 1859, Paris, Fr.—died March 29, 1891, Paris), French painter. He entered the École des Beaux-Arts in 1878 and exhibited at the 1883 Salon, though he had already lost sympathy with its conservative policies. He studied scientific works in an effort to achieve scientifically the colour effects that the Impressionists had pursued, and developed Pointillism, the technique of juxtaposing tiny brushstrokes of contrasting colours to portray the play of light. Employing this method, he created huge compositions, including his masterpiece, Sunday Afternoon on the Island of La Grande Jatte (1884–86). He and other artists working in this style became known as Neo-Impressionists. As an aesthetic theorist, he explored the effects that could be achieved with the three primary colours and their complements.
Georges Seurat Article
Georges Seurat summary
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Post-Impressionism Summary
Post-Impressionism, in Western painting, movement in France that represented both an extension of Impressionism and a rejection of that style’s inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul
drawing Summary
Drawing, the art or technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Drawing as formal artistic creation might be defined as the primarily linear rendition of objects in the visible world, as well as of concepts,
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light