Paolo Sarpi, (born Aug. 14, 1552, Venice—died Jan. 14, 1623, Venice), Italian patriot, scholar, and state theologian. At age 20 Sarpi became court theologian to the duke of Mantua, a post that gave him leisure to study Greek, Hebrew, mathematics, anatomy, and botany. Later, as consultor to the government, he incurred the wrath of Pope Paul V by supporting Venice’s right to restrict church construction in the city and to try priests accused of crimes unrelated to religion (e.g., murder) in the state’s courts. His History of the Council of Trent (1619), an important work decrying papal absolutism, was published under a pseudonym; though placed on the Index librorum prohibitorum, it went through several editions and five translations in 10 years.
Paolo Sarpi Article
Paolo Sarpi summary
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Council of Trent Summary
Council of Trent, 19th ecumenical council of the Roman Catholic Church, held in three parts from 1545 to 1563. Prompted by the Reformation, the Council of Trent responded emphatically to the issues at hand and enacted the formal Roman Catholic reply to the doctrinal challenges of the Protestants.
church and state Summary
Church and state, the concept, largely Christian, that the religious and political powers in society are clearly distinct, though both claim the people’s loyalty. A brief treatment of church and state follows. For full treatment of the separation of religion and politics, see secularism. For full
anatomy Summary
Anatomy, a field in the biological sciences concerned with the identification and description of the body structures of living things. Gross anatomy involves the study of major body structures by dissection and observation and in its narrowest sense is concerned only with the human body. “Gross
theology Summary
Theology, philosophically oriented discipline of religious speculation and apologetics that is traditionally restricted, because of its origins and format, to Christianity but that may also encompass, because of its themes, other religions, including especially Islam and Judaism. The themes of