Vasily Kandinsky, (born Dec. 4, 1866, Moscow, Russia—died Dec. 13, 1944, Neuilly-sur-Seine, France), Russian painter, a pioneer of pure abstraction in modern painting. Trained in the law and offered a law professorship, he chose painting instead and set out for Germany. After art studies in Munich, by 1909 he began his lifelong pursuit: a kind of painting in which colours, lines, and shapes, freed from the distracting business of depicting recognizable objects, might evolve into a visual “language” capable of expressing general ideas and evoking deep emotions. In his book Concerning the Spiritual in Art (1912) he set forth these ideas, comparing the expressiveness of forms and colour to qualities in music. In 1911 he and Franz Marc founded an informally organized group of like-minded artists called Der Blaue Reiter (“The Blue Rider”). From 1921 to 1933 he taught at the influential Bauhaus in Weimar; during this period Kandinsky continued to evolve in the general direction of geometric abstraction, but with a dynamism and a taste for detail. When the Nazis closed the Bauhaus, he immigrated to Paris. During this final period his painting became a synthesis of the organic manner of the Munich period and the geometric manner of the Bauhaus period. The visual language that he had been aiming at since at least 1910 turned into collections of signs that look like almost-decipherable messages written in pictographs and hieroglyphs. His influence on 20th-century art and abstract art in general was profound.
Wassily Kandinsky Article
Vasily Kandinsky summary
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Der Blaue Reiter Summary
Der Blaue Reiter, organization of artists based in Germany that contributed greatly to the development of abstract art. Neither a movement nor a school with a definite program, Der Blaue Reiter was a loosely knit organization of artists that organized group shows between 1911 and 1914. After
lithography Summary
Lithography, planographic printing process that makes use of the immiscibility of grease and water. In the lithographic process, ink is applied to a grease-treated image on the flat printing surface; nonimage (blank) areas, which hold moisture, repel the lithographic ink. This inked surface is then
art criticism Summary
Art criticism, the analysis and evaluation of works of art. More subtly, art criticism is often tied to theory; it is interpretive, involving the effort to understand a particular work of art from a theoretical perspective and to establish its significance in the history of art. Many cultures have
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light