Woody Allen, orig. Allen Stewart Konigsberg, (born Dec. 1, 1935, Brooklyn, N.Y., U.S.), U.S. film director, screenwriter, and actor. After writing routines for comedians and performing as a nightclub comic, he wrote the Broadway play Don’t Drink the Water (1966). His early films, such as Bananas (1971) and Sleeper (1973), combined highbrow comedy and slapstick. Later romantic comedies such as Annie Hall (1977), which won him two Academy Awards, and Manhattan (1979) offered a bittersweet view of New York life. His other notable films included Interiors (1978), Broadway Danny Rose (1984), The Purple Rose of Cairo (1985), Hannah and Her Sisters (1986; Academy Award for screenwriting), Radio Days (1987), Crimes and Misdemeanors (1989), Bullets over Broadway (1994), Mighty Aphrodite (1995), Match Point (2005), and Vicky Cristina Barcelona (2008). For Midnight in Paris (2011) Allen received his 7th Oscar nomination for best director and his 15th (a record) for best original screenplay; he won the latter award. His screenplay for Blue Jasmine (2013) was also nominated. Allen’s later career was tarnished by allegations of child sex abuse.
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Academy Award Summary
Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly
directing Summary
Directing, the craft of controlling the evolution of a performance out of material composed or assembled by an author. The performance may be live, as in a theatre and in some broadcasts, or it may be recorded, as in motion pictures and the majority of broadcast material. The term is also used in
acting Summary
Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or
comedy Summary
Comedy, type of drama or other art form the chief object of which, according to modern notions, is to amuse. It is contrasted on the one hand with tragedy and on the other with farce, burlesque, and other forms of humorous amusement. The classic conception of comedy, which began with Aristotle in