Swiss engineer Robert Maillart’s use of reinforced concrete, beginning in 1901, effected a revolution in structural art. Maillart, all of whose main bridges are in Switzerland, was the first 20th-century designer to break completely with the masonry tradition and put concrete into forms technically appropriate to its properties yet visually surprising. For his 1901 bridge over the Inn River at Zuoz, he designed a curved arch and a flat roadway connected by longitudinal walls that turned the complete structure into a hollow-box girder with a span of 37.5 metres (125 feet) and with hinges at the abutments and the crown. This was the first concrete hollow-box to be constructed. The arch at Zuoz is thickened at the bottom, and all of the load to the abutments is carried at these thick points. The walls near the abutments, therefore, are technically superfluous. For his 1905 bridge over the Vorderrhein at Tavanasa, with a span of 50 metres (167 feet), Maillart cut out the spandrel walls to achieve a technically superior form that was also visually new. As at Zuoz, the concrete arches of the Tavanasa bridge were connected by hinges to both abutments and to each other at the crown, thus allowing the arch to rise freely without internal stress when the temperature rose and to drop when the temperature went down. By contrast, Hennebique’s bridge at Châtellerault did not have hinges, and the arches cracked severely at the abutments and crown. The Tavanasa bridge was unfortunately destroyed by an avalanche in 1927.

Maillart’s Valtschielbach Bridge of 1926, a deck-stiffened arch with a 43-metre (142-foot) span, demonstrated that the arch can be extremely thin as long as the deck beam is stiff. The arch at Valtschielbach increases in thickness from a mere 23 cm (9 inches) at the crown to just over 28 cm (11 inches) at the supports. Thin vertical slabs, or cross-walls, connect the arch to the deck, allowing the deck to stiffen the arch and thus permitting the arch to be thin. Such technical insight revealed Maillart’s deep understanding of how to work with reinforced concrete—an understanding that culminated in a series of masterpieces beginning with the 1930 Salginatobel Bridge, which, as with the others already mentioned, is located in the Swiss canton of Graubünden. The form of the Salginatobel Bridge is similar to the Tavanasa yet modified to account for a longer central span of 89 metres (295 feet), which is needed to cross the deep ravine below. Maillart’s hollow-box, three-hinged arch design not only was the least costly of the 19 designs proposed but also was considered by the district engineer to be the most elegant. The stone abutments of earlier Maillart bridges were dispensed with at Salginatobel, as the rocky walls of the ravine that meet the arch are sufficient to carry the load.

Other notable bridges by Maillart are the bridge over the Thur at Felsegg (1933), the Schwandbach Bridge near Hinterfultigen (1933), and the Töss River footbridge near Wulflingen (1934). The Felsegg bridge has a 68-metre (226-foot) span and features for the first time two parallel arches, both three-hinged. Like the Salginatobel Bridge, the Felsegg bridge features X-shaped abutment hinges of reinforced concrete (invented by Freyssinet), which were more economical than steel hinges. The Schwandbach Bridge, with a span of 37 metres (123 feet), is a deck-stiffened arch with a horizontally curved roadway. The true character of reinforced concrete is most apparent in this bridge, as the inner edge of the slab-arch follows the horizontal curve of the highway, while the outer edge of the arch is straight. Vertical trapezoidal cross-walls integrate the deck with the arch, and the result is one of the most acclaimed bridges in concrete. The Töss footbridge is a deck-stiffened arch with a span of 37.5 metres (125 feet). The deck is curved vertically at the crown and countercurved at the riverbanks, integrating the structure into the setting.

Maillart’s great contribution to bridge design was that, while he kept within the traditional discipline of engineering, always striving to use less material and keep costs down, he continually played with the forms in order to achieve maximum aesthetic expression. Some of his last bridges—at Vessy, Liesberg, and Lachen—illustrate his mature vision for the possibilities of structural art. Over the Arve River at Vessy in 1935, Maillart designed a three-hinged, hollow-box arch in which the thin cross-walls taper at mid-height, forming an X shape. This striking design, giving life to the structure, is both a natural form and a playful expression. Also in 1935, a beam bridge over the Birs River at Liesberg employed haunching of the beams, a tapering outward at the base of the thin columns, and a curved top edge becoming less deep near the abutments. For a skewed railway overpass at Lachen in 1940, Maillart used two separate three-hinged arches that sprang from different levels of the abutment, creating a dynamic interplay of shapes.

Eugène Freyssinet

The idea of prestressing concrete was first applied by Freyssinet in his effort to save the Le Veurdre Bridge over the Allier River near Vichy, France. A year after its completion in 1910, Freyssinet noted the three-arch bridge had been moving downward at an alarming rate. A flat concrete arch, under its own dead load, generates huge compressive forces that cause the structure to shorten over time and, hence, move eventually downward. This “creep” may eventually cause the arch to collapse. Freyssinet’s solution was to jack apart the arch halves at the crown, lifting the arch and putting the concrete into additional compression against the abutments and then casting new concrete into the spaces at the crown. By 1928, experience with the Le Veurdre Bridge led Freyssinet to propose the more common method of prestressing, using high-strength steel to put concrete into compression.

Freyssinet’s major prestressed works came after the reinforced-concrete Plougastel Bridge and included a series of bridges over the Marne River following World War II. The Luzancy Bridge (1946), with a span of 54 metres (180 feet), demonstrates the lightness and beauty that can be achieved using prestressed concrete for a single-span beam bridge.

The first major bridge made of prestressed concrete in the United States, the Walnut Lane Bridge (1950) in Philadelphia, was designed by Gustave Magnel and features three simply supported girder spans with a centre span of 48 metres (160 feet) and two end spans of 22 metres (74 feet). Although it was plain in appearance, a local art jury responsible for final approval found that the slim lines of the bridge were elegant enough not to require a stone facade.

Ulrich Finsterwalder

During the years after World War II, a German engineer and builder, Ulrich Finsterwalder, developed the cantilever method of construction with prestressed concrete. Finsterwalder’s Bendorf Bridge over the Rhine at Koblenz, Germany, was completed in 1962 with thin piers and a centre span of 202 metres (673 feet). The double cantilevering method saved money through the absence of scaffolding in the water and also by allowing for reduced girder depth and consequent reduction of material where the ends of the deck meet in the centre. The resulting girder has the appearance of a very shallow arch, elegant in profile. Another fine bridge by Finsterwalder is the Mangfall Bridge (1959) south of Munich, a high bridge with a central span of 106 metres (354 feet) and two side spans of 89 metres (295 feet). The Mangfall Bridge features the first latticed truss walls made of prestressed concrete, and it also has a two-tier deck allowing pedestrians to walk below the roadway and take in a spectacular view of the valley. Finsterwalder successfully sought to show that prestressed concrete could compete directly with steel not only in cost but also in reduction of depth.

Christian Menn

The technical and aesthetic possibilities of prestressed concrete were most fully realized in Switzerland with the bridges of Christian Menn. Menn’s early arch bridges were influenced by Maillart, but, with prestressing, he was able to build longer-spanning bridges and use new forms. The Reichenau Bridge (1964) over the Rhine, a deck-stiffened arch with a span of 98 metres (328 feet), shows Menn’s characteristic use of a wide, prestressed concrete deck slab cantilevering laterally from both sides of a single box. For the high, curving Felsenau Viaduct (1974) over the Aare River in Bern, spans of up to 154 metres (512 feet) were built using the cantilever method from double piers. The trapezoidal box girder, only 11 metres (36 feet) wide at the top, haunches at the supports and carries an 26-metre- (85-foot-) wide turnpike. More impressive yet is the high, curving Ganter Bridge (1980), crossing a deep valley in the canton of Valais. The Ganter is both a cable-stayed and a prestressed cantilever girder bridge, with the highest column rising 148 metres (492 feet) and with a central span of 171 metres (571 feet). The form is unique: the cable-stays are flat and covered by thin concrete slabs, making the bridge look very much like a Maillart bridge upside-down.