The second strand in the fabric of Hinduism is practice. Many Hindus, in fact, would place this first. Despite India’s enormous diversity, a common grammar of ritual behavior connects various places, strata, and periods of Hindu life. While it is true that various elements of Vedic ritual survive in modern practice and thereby serve a unifying function, much more influential commonalities appear in the worship of icons or images (murti, pratima, or archa). Broadly, this is called puja (“honoring [the deity]”); if performed in a temple by a priest, it is called archana. It echoes conventions of hospitality that might be performed for an honored guest, especially the giving and sharing of food. Such food is called prasada (Hindi, prasad meaning “grace”), reflecting the recognition that when human beings make offerings to deities, the initiative is not really theirs. They are actually responding to the generosity that bore them into a world fecund with life and possibility. The divine personality installed as a home or temple image receives prasada, tasting it (Hindus differ as to whether this is a real or symbolic act, gross or subtle) and offering the remains to worshipers. Some Hindus also believe that prasada is infused with the grace of the deity to whom it is offered. Consuming these leftovers, worshipers accept their status as beings inferior to and dependent upon the divine. An element of tension arises because the logic of puja and prasada seems to accord all humans an equal status with respect to God, yet exclusionary rules have sometimes been sanctified rather than challenged by prasada-based ritual.

Society

The third strand that has served to organize Hindu life is society. Early visitors to India from Greece and China and, later, others such as the Persian scholar and scientist al-Bīrūnī, who traveled to India in the early 11th century, were struck by the highly stratified (if locally variant) social structure that has come to be called familiarly the caste system. While it is true that there is a vast disparity between the ancient vision of society as divided into four ideal classes (varnas) and the contemporary reality of thousands of endogamous birth-groups (jatis, literally “births”), few would deny that Indian society is notably plural and hierarchical. This fact has much to do with an understanding of truth or reality as being similarly plural and multilayered—though it is not clear whether the influence has proceeded chiefly from religious doctrine to society or vice versa. Seeking its own answer to this conundrum, a well-known Vedic hymn (Rigveda 10.90) describes how, at the beginning of time, the primordial person Purusha underwent a process of sacrifice that produced a four-part cosmos and its human counterpart, a four-part social order comprising Brahmans (priests), Kshatriyas (warriors and nobles), Vaishyas (commoners), and Shudras (servants).

The social domain, like the realms of religious practice and doctrine, is marked by a characteristic tension. There is the view that each person or group approaches truth in a way that is necessarily distinct, reflecting its own perspective. Only by allowing each to speak and act in such terms can a society constitute itself as a proper representation of truth or reality. Yet this context-sensitive habit of thought can too easily be used to legitimate social systems based on privilege and prejudice. If it is believed that no standards apply universally, one group can too easily justify its dominance over another. Historically, therefore, certain Hindus, while espousing tolerance at the level of doctrine, have maintained caste distinctions in the social realm.

Story

Another dimension drawing Hindus into a single community of discourse is narrative. For at least two millennia, people in almost all corners of India—and now well beyond—have responded to stories of divine play and of interactions between gods and humans. These stories concern major figures in the Hindu pantheon: Krishna and his lover Radha, Rama and his wife Sita and brother Lakshmana, Shiva and his consort Parvati (or, in a different birth, Sati), and the Great Goddess Durga, or Devi, as a slayer of the buffalo demon Mahisasura. Often such narratives illustrate the interpenetration of the divine and human spheres, with deities such as Krishna and Rama entering entirely into the human drama. Many tales focus in different degrees on genealogies of human experience, forms of love, and the struggle between order and chaos or between duty and play. In generating, performing, and listening to these stories, Hindus have often experienced themselves as members of a single imagined family. Yet, simultaneously, these narratives serve to articulate tensions connected with righteous behavior and social inequities. Thus, the Ramayana, traditionally a testament of Rama’s righteous victories, is sometimes told by women performers as the story of Sita’s travails at Rama’s hands. In north India lower-caste musicians present religious epics such as Alha or Dhola in terms that reflect their own experience of the world rather than the upper-caste milieu of the great Sanskrit religious epic the Mahabharata, which these epics nonetheless echo. To the broadly known, pan-Hindu, male-centered narrative traditions, these variants provide both resonance and challenge.

Devotion

There is a fifth strand that contributes to the unity of Hindu experience through time: bhakti (“sharing” or “devotion”), a broad tradition of a loving God that is especially associated with the lives and words of vernacular poet-saints throughout India. Devotional poems attributed to these inspired figures, who represent both genders and all social classes, have elaborated a store of images and moods to which access can be had in a score of languages. Bhakti verse first appeared in Tamil in south India and moved northward into other regions with different languages. Individual poems are sometimes strikingly similar from one language or century to another, without there being any trace of mediation through the pan-Indian, distinctly upper-caste language Sanskrit. Often, individual motifs in the lives of bhakti poet-saints also bear strong family resemblances. With its central affirmation that religious faith is more fundamental than rigidities of practice or doctrine, bhakti provides a common challenge to other aspects of Hindu life. At the same time, it contributes to a common Hindu heritage—even a common heritage of protest. Yet certain expressions of bhakti are far more confrontational than others in their criticism of caste, image worship, and the performance of vows, pilgrimages, and acts of self-mortification.

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World Religions & Traditions

Veda, Brahmans, and issues of religious authority

For members of the upper castes, a principal characteristic of Hinduism has traditionally been a recognition of the Veda, the most ancient body of Indian religious literature, as an absolute authority revealing fundamental and unassailable truth. The Veda is also regarded as the basis of all the later shastra texts, which stress the religious merits of the Brahmans—including, for example, the medical corpus known as the Ayurveda. Parts of the Veda are quoted in essential Hindu rituals (such as the wedding ceremony), and it is the source of many enduring patterns of Hindu thought, yet its contents are practically unknown to most Hindus. Most Hindus venerate it from a distance. In the past, groups who rejected its authority outright (such as Buddhists and Jains) were regarded by Hindus as heterodox, but now they are often considered to be part of a larger family of common Indic traditions.

Another characteristic of much Hindu thought is its special regard for Brahmans as a priestly class possessing spiritual supremacy by birth. As special manifestations of religious power and as bearers and teachers of the Veda, Brahmans have often been thought to represent an ideal of ritual purity and social prestige. Yet this has also been challenged, either by competing claims to religious authority—especially from kings and other rulers—or by the view that Brahmanhood is a status attained by depth of learning, not birth. Evidence of both these challenges can be found in Vedic literature itself, especially the Upanishads (speculative religious texts that provide commentary on the Vedas), and bhakti literature is full of vignettes in which the small-mindedness of Brahmans is contrasted with true depth of religious experience, as exemplified by poet-saints such as Kabir and Ravidas.

Doctrine of atman-brahman

Most Hindus believe in brahman, an uncreated, eternal, infinite, transcendent, and all-embracing principle. Brahman contains in itself both being and nonbeing, and it is the sole reality—the ultimate cause, foundation, source, and goal of all existence. As the All, brahman either causes the universe and all beings to emanate from itself, transforms itself into the universe, or assumes the appearance of the universe. Brahman is in all things and is the self (atman) of all living beings. Brahman is the creator, preserver, or transformer and reabsorber of everything. Hindus differ, however, as to whether this ultimate reality is best conceived as lacking attributes and qualities—the impersonal brahman—or as a personal God, especially Vishnu, Shiva, or Shakti (these being the preferences of adherents called Vaishnavas, Shaivas, and Shaktas, respectively). Belief in the importance of the search for a One that is the All has been a characteristic feature of India’s spiritual life for more than 3,000 years.