Keystone Company

…as the director of the Keystone comedies; and the well-known leading men Lionel Barrymore and Owen Moore. Griffith directed Sweet in Judith of Bethulia, the last film he made for Biograph. Filmed in 1913 and released in 1914, it was one of the first full-length feature films. Within several years…

…Mack Sennett, who, at his Keystone Studios, produced countless one- and two-reel shorts and features (Tillie’s Punctured Romance, 1914; The Surf Girl, 1916; Teddy at the Throttle, 1917) whose narrative logic was subordinated to fantastic, purely visual humour. An anarchic mixture of circus, vaudeville, burlesque, pantomime, and the chase, Sennett’s…

…Sennett to join his new Keystone Film Company in California. There, she pioneered a new type of comic character: a pretty girl who could take a pratfall. Until Normand, most comics—both male and female—were funny looking as well as funny and used such physical features as cross-eyes, ungainly size, or…