The Rape of the Sabines

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Giambologna: Rape of the Sabines

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The Rape of the Sabines

sculpture by Giambologna

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discussed in biography

In Giambologna
Rape of a Sabine (1579–83; Loggia dei Lanzi, Florence), while uncluttered and monumental, is even more complex. The composition is subtly designed so that it can be viewed from any side with equal effect. In his fountain Mercury (c. 1580; Bargello, Florence) Giambologna uses the…
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freestanding sculpture

In sculpture: Sculpture in the round
Giambologna’s Rape of the Sabines, for example, compels the viewer to walk all around it in order to grasp its spatial design. It has no principal views; its forms move around the central axis of the composition, and their serpentine movement unfolds itself gradually as the…
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use of figura serpentinata