The Stepford Wives
The Stepford Wives, novel by American author Ira Levin, published in 1972. It has been described as the first “feminist horror novel,” with echoes of Levin’s earlier horror masterpiece Rosemary’s Baby.
Photographer Joanne Eberhart and Walter, her husband, have just moved to Stepford, Connecticut, with their two children. The town is an idyllic suburb with picture-postcard houses, neat gardens, and happy children. While Walter commutes to work, Joanne tries to make friends with other women, but they are all housework-obsessed, perfectly dressed, manicured, and made-up domestic slaves, and they are seemingly happy that way. Joanne makes friends with two women, Bobbie and Charmaine, who are also new arrivals. They, and Walter, agree that there is something odd going on, which appears to be centred on the Men’s Club. Walter agrees to join the club to investigate.
Shortly after Charmaine tries to organize a consciousness-raising meeting for the women, she goes on a second honeymoon with her husband, and she comes back as a perfect Stepford Wife. Deeply troubled by the transformation of their unabashedly feminist friend, Bobbie and Joanne try to find out what is going on. Are the women being brainwashed, or is something even more sinister taking place? What is happening to Walter at the Men’s Club that makes him come home shaking? Some answers begin to emerge as the horror element of the story builds.
Joanne’s fears seem justified when Bobbie returns from a weekend away obedient and empty-headed. Is Joanne next on the list? Fearful, she consults an out-of-town psychiatrist, who warns her to get herself and the children away from Stepford as quickly as possible. Whether Joanne escapes, whether the women are being replaced by robot replicas, and who is behind everything are not explained in the book but are left to the reader’s imagination. Written at the height of radical 1970s feminism, The Stepford Wives offers a deeply satirical view of America’s consumerism-driven society and a chilling foretaste of the post-feminist backlash.
Levin originally planned The Stepford Wives as a stage play, but as his cast of characters grew he restructured it as a novel. Collaborating with the noted screenwriter William Goldman, Levin scripted a film version that was released in 1975, starring Katharine Ross, Paula Prentiss, and Tina Louise in the lead roles.The Stepford Wives was adapted as a film that starred Nicole Kidman, Bette Midler, and Glenn Close and was released in 2004.