The Tragedy of Zara

play by Voltaire
Also known as: “Zaïre”

Learn about this topic in these articles:

discussed in biography

  • Voltaire
    In Voltaire: Return to France

    Zaïre, however, was a resounding success. The play, in which the sultan Orosmane, deceived by an ambiguous letter, stabs his prisoner, the devoted Christian-born Zaïre, in a fit of jealousy, captivated the public with its exotic subject.

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place in French literature

  • Battle of Sluis during the Hundred Years' War
    In French literature: Tragedy and the survival of Classical form

    Voltaire’s Zaïre (1732; The Tragedy of Zara) aims to do just that, through the spectacle of Christian intolerance overwhelming the eponymous heroine, torn as she is between the religion of her French Roman Catholic forefathers and the Muslim faith of her future husband, a Turk. No fatality of…

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Quick Facts
Born:
Feb. 10, 1685, London
Died:
Feb. 8, 1750, London (aged 64)

Aaron Hill (born Feb. 10, 1685, London—died Feb. 8, 1750, London) was an English poet, dramatist, and essayist whose adaptations of Voltaire’s plays Zaïre (The Tragedy of Zara, 1736) and Mérope (1749) enjoyed considerable success.

An optimistic speculator who engaged in various ambitious commercial enterprises, all without success, Hill was a kindly man who bored his friends and irritated them with unsolicited advice. After leaving school he travelled in the Near East, afterward publishing A Full Account of the Present State of the Ottoman Empire (1709). He married an heiress, produced Handel’s opera Rinaldo (having himself translated the Italian libretto) at London’s Haymarket Theatre, and in 1718 wrote The Northern Star, dedicated to Peter the Great of Russia, which the Tsar acknowledged by ordering a gold medal for Hill (the medal never arrived). Alexander Pope satirized Hill in The Dunciad, to which Hill retorted with The Progress of Wit (1730). Hill also edited a biweekly theatrical journal, The Prompter, from 1734 to 1736. He had many literary friends, including Charles Churchill, James Thomson, and, perhaps most significantly, Samuel Richardson. In his correspondence with the latter the two writers discuss the development and reception of Richardson’s novels Pamela (1740) and Clarissa (1747–48). Hill’s letters to Pope and others were published in 1751.

This article was most recently revised and updated by Encyclopaedia Britannica.