cultural diffusion

“Culture is contagious,” as a prominent anthropologist once remarked, meaning that customs, beliefs, tools, techniques, folktales, ornaments, and so on may diffuse from one people or region to another. To be sure, a culture trait must offer some advantage, some utility or pleasure, to…

Like rebellion, the adoption of foreign elements has been a constant theme in the history of dress, and it too dates to antiquity. The first exotic fabric to reach the West was silk from China, which the Persians introduced to the Greeks and Romans and which has remained…

By the close of the 19th century, enough data had been amassed that it was clear that certain objects and ideas associated with “civilization”—the wheel, metalworking, patrilineality, monogamy, monotheism, and the like—were unevenly distributed over space and time. This appeared to…

…poorly understood, yet practically all cultural heritage is explicitly taught. Better knowledge of how to instruct and of the role of imitation in transmitting cultural concepts is needed. In addition, some linguists believe that language itself guides how concepts will be formed; if a language has no words for a…

Diffusion, or the spreading of culture traits, in their view, was the prime force of human development, and all cultural development could be traced to a few inventive centres. Because they termed these original centres Kulturkreise, (or “cultural clusters”), they were also known as the…

…which a common culture is diffused over a wide area. Hindu peasant villages are less alike the farther they are from each other, yet vast areas of rural India are remarkably homogeneous in culture.

…Mesopotamia had many languages and cultures; its history is broken up into many periods and eras; it had no real geographic unity, and above all no permanent capital city, so that by its very variety it stands out from other civilizations with greater uniformity, particularly that of Egypt. The script…

He advocated the idea of cultural diffusion and arranged areas of the same cultural distribution into what he called Kulturkreise (cultural clusters, or cultural complexes). This concept was further extended by Fritz Graebner.

In particular, he suggested that cultural diffusion is not a mechanical process but, rather, depends in part on the receptiveness of cultures to proffered traits.