See Steven Holl discussing his sketches
See Steven Holl discussing his sketches
Checkerboard Film Foundation (A Britannica Publishing Partner)
Transcript
STEVEN HOLL: And these are my sketchbooks and my watercolor books, which are cataloged. I work on these every day. And inside I have the seminal sketches for every building I've ever done. And it's very important for me that I make these drawings every day in the morning, because, as you know, the mind from waking up is got all the subjective links. And you don't have that at the end of the day. So these almost always are made, like, you know, right first thing in the morning.
The notion of water between, that wasn't realized. We ended up with grass between in the landscape. That's another thing altogether, or maybe it's not. One of the things I don't want to do is be too pragmatic about the thought process. So whether or not this is a—now Nelson-Atkins drawing, I don't even know, to tell you the truth, because I get up in the morning, and I just draw. And I try very hard not to be too forceful with whatever it is that's gonna come out. And therefore, you have the maximum possibility of dreaming.
The notion of water between, that wasn't realized. We ended up with grass between in the landscape. That's another thing altogether, or maybe it's not. One of the things I don't want to do is be too pragmatic about the thought process. So whether or not this is a—now Nelson-Atkins drawing, I don't even know, to tell you the truth, because I get up in the morning, and I just draw. And I try very hard not to be too forceful with whatever it is that's gonna come out. And therefore, you have the maximum possibility of dreaming.