Later roles of Paul Newman

Newman worked for a number of noted directors on pictures that were box-office failures at the time of their release but went on to become cult favourites. He played alongside Lee Marvin and Strother Martin in the antiheroic western Pocket Money (1972), directed by Stuart Rosenberg. John Huston directed Newman in the title role of the darkly comic The Life and Times of Judge Roy Bean (1972) and again in the British private-eye thriller The Mackintosh Man (1973). Director Robert Altman used Newman effectively in his spoof on American western folklore, Buffalo Bill and the Indians (1976), and again in the controversial Quintet (1979), a futuristic saga. Newman also maintained his star status by appearing in such popular films as The Towering Inferno (1974), an action thriller that starred Steve McQueen and William Holden; Slap Shot (1977), a comedy about a hapless minor-league hockey team that is often ranked among the best sports films; and Fort Apache, the Bronx (1981), in which he starred as a policeman who refuses to cover up a murder. In Sydney Pollack’s Absence of Malice (1981), Newman gave an Oscar-nominated performance as a businessman whom a reporter (played by Sally Field) wrongly implicates in a murder. He also received an Academy Award nomination for his work in The Verdict (1982), a courtroom drama about an alcoholic lawyer in a malpractice case.

Having received six Academy Award nominations for best actor and one career achievement Oscar (1985), Newman finally won an Academy Award for his performance in director Martin Scorsese’s The Color of Money (1986), the sequel to The Hustler. In 1989 he portrayed Louisiana Gov. Earl K. Long in Blaze. At age 70 he was nominated yet again, for his depiction of Sully, an irresponsible yet humorous construction worker in Nobody’s Fool (1994), directed by Robert Benton and based on the novel by Richard Russo; Newman once claimed that the character was the closest to himself that he had ever played. That same year the actor gave a broadly satirical performance as an unscrupulous tycoon in Joel and Ethan Coen’s The Hudsucker Proxy. Benton also directed him in the detective thriller Twilight (1998).

Subsequent roles for Newman included a mob boss in Sam Mendes’s Road to Perdition (2002), which earned him another Oscar nomination. In 2005 he starred with Woodward in the television miniseries Empire Falls (2005), which was based on a Russo novel; Newman won an Emmy Award, a Golden Globe Award, and a Screen Actors Guild Award for his portrayal of the cantankerous father of protagonist Miles Roby (Ed Harris). After he voiced a character in the animated film Cars (2006), Newman retired in 2007, saying, “I’m not able to work anymore as an actor at the level I would want to…so that’s pretty much a closed book to me.” That year he was diagnosed with cancer, which would prove fatal.

Directing

Newman occasionally directed films. He frequently cast Woodward in the lead—beginning with Rachel, Rachel (1968), a subtle but powerful drama about a repressed schoolteacher; it earned an Oscar nomination for best picture. Newman next directed and starred in an adaptation of Ken Kesey’s sprawling novel about Oregon loggers, Sometimes a Great Notion (1971). Although a disappointment at the box office, the film received generally positive reviews. In 1972 Newman helmed The Effect of Gamma Rays on Man-in-the-Moon Marigolds, which was based on Paul Zindel’s Pulitzer Prize-winning play. Woodward starred as an overbearing mother whose daughters long to escape from her domineering presence. The potent The Shadow Box (1980) was a made-for-TV movie about the interaction among three terminally ill patients and their visiting families; it starred Woodward, Valerie Harper, and Christopher Plummer.

Harry & Son (1984) featured Newman and Robby Benson as a widowed father and his unsympathetic son, respectively. However, the dynamics were less than convincing, despite a screenplay cowritten by Newman. In 1987 Newman directed his last film, The Glass Menagerie, which was a tasteful adaptation of Tennessee Williams’s classic play; Woodward, John Malkovich, Karen Allen, and James Naughton starred.