- India from the Paleolithic Period to the decline of the Indus civilization
- The development of Indian civilization from c. 1500 bce to c. 1200 ce
- The early Muslim period
- The Mughal Empire, 1526–1761
- The reign of Akbar the Great
- India and European expansion, c. 1500–1858
- British imperial power, 1858–1947
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It is certain that such great concentrations of population had never been seen in the Indian subcontinent before that date. Clearly the exploitation of the Indus River floodplains and the use of the plow attested in Early Harappan times by finds in Kalibangan were matters of supreme importance. The Indus is at a minimum during the winter months and rises steadily during the spring and early summer, reaching a maximum in midsummer and then subsiding. Lambrick has shown how the traditional exploitation of the floods could provide a simple means of growing the principal crops without even plowing, manuring, or using major irrigation. The main cereals would be sown at the end of the inundation on land that had recently emerged from the floods, and the crop would be harvested in March or April. Other crops might be sown in embanked fields at the beginning of the floods so that they could receive necessary water while growing and be harvested in the autumn. Wheat samples from the Indus cities have been identified as belonging to Triticum sphaerococcum and two subspecies of T. sativum—vulgare and compactum. Barley is also found, of the species Hordeum vulgare, variety nudum and variety hexastichum. Rice is recorded in Harappan times at Lothal in Gujarat, but whether it was wild or cultivated is not yet clear. Other crops include dates, melon, sesame, and varieties of leguminous plants, such as field peas. From Chanhu-daro, seeds of mustard (most probably Brassica juncea) were obtained. Finally, there is evidence that cotton was cultivated and used for textiles.
A number of domesticated animal species have been found in excavations at the Harappan cities. The Indian humped cattle (Bos indicus) were most frequently encountered, though whether along with a humpless variety, such as that shown on the seals, is not clearly established. The buffalo (B. bubalis) is less common and may have been wild. Sheep and goats occur, as does the Indian pig (Sus cristatus). The camel is present, as well as the ass (Equus asinus). Bones of domestic fowl are not uncommon; these fowl were domesticated from the indigenous jungle fowl. Finally, the cat and the dog were both evidently domesticated. Present, but not necessarily as a domesticated species, is the elephant. The horse is possibly present but extremely rare and apparently only present in the last stages of the Harappan Period.
Communications
It is clear that, to achieve the degree of uniformity of material culture evidenced in the excavations, considerable contact must have been maintained between the towns and cities of the Indus state. Such contact may have been by both land and river, just as the foreign trade must have employed both overland and sea routes. For land travel the predominant means was probably the pack bullock, camel, or ass. All these animals are still, or were until recently, used for pack transport in the more-remote country districts of the subcontinent. For travel on the flat alluvial plains, the bullock cart was probably the main vehicle. Terra-cotta models of such carts, apparently very little different from the modern Indian cart, are frequently encountered. For the transport of persons, smaller carts, with a body raised above the level of the axle and a framed canopy (much like the modern ikka), are known from small bronze models. Several representations of boats also occur. They are mostly of simple design without masts or sails and would be more suitable for river travel than for sea travel. A terra-cotta model of another type of boat with a socket for mast and eye holes for rigging was discovered at Lothal. This appears to be a somewhat more seaworthy vessel. The dock basin at Lothal may have provided berth for ships of the size of the country craft that still ply between India and the Persian Gulf. Heavy pierced stones discovered in the vicinity of the dock basin at Lothal were assumed by the excavator to be similar to stones still used by the local boatmen as anchors.
Craft and technology
The Indus civilization exhibits a wide range of crafts and technical skills. As Childe remarked, these depended on the same basic discoveries as those exploited in Egypt or Mesopotamia, but in each case the crafts acquired a significance of their own. More-recent research at Mohenjo-daro has shown that different quarters of the lower city appeared to house the families who specialized in different crafts; such evidence strengthens the view that occupational specialization was firmly established.
Copper and bronze were the principal metals used for making tools and implements. These include flat oblong axes, chisels, knives, spears, arrowheads (of a kind that was evidently exported to neighbouring hunting tribes), small saws, and razors. All these could be made by simple casting, chiseling, and hammering. Bronze is less common than copper, and it is notably rarer in the lower levels. Four main varieties of metal have been found: crude copper lumps in the state in which they left the smelting furnace; refined copper, containing trace elements of arsenic and antimony; an alloy of copper with 2 to 5 percent of arsenic; and bronze with a tin alloy, often of as much as 11 to 13 percent. The copper and bronze vessels of the Harappans are among their finest products, formed by hammering sheets of metal. Casting of copper and bronze was understood, and figurines of men and animals were made by the lost-wax process. These too are technically outstanding, though the overall level of copper-bronze technology is not considered to have reached the level attained in Mesopotamia.
Other metals used were gold, silver, and lead. The latter was employed occasionally for making small vases and such objects as plumb bobs. Silver is relatively more common than gold, and more than a few vessels are known, generally in forms similar to copper and bronze examples. Gold is by no means common and was generally reserved for such small objects as beads, pendants, and brooches.
Other special crafts include the manufacture of faience (earthenware decorated with coloured glazes)—for making beads, amulets, sealings, and small vessels—and the working of stone for bead manufacture and for seals. The seals were generally cut from steatite (soapstone) and were carved in intaglio or incised with a copper burin (cutting tool). Beads were made from a variety of substances, but the carnelians are particularly noteworthy. They include several varieties of etched carnelian and long barrel beads made with extraordinary skill and accuracy. Shell and ivory were also worked and were used for beads, inlays, combs, bracelets, and the like.
The pottery of the Indus cities has all the marks of mass production. A substantial proportion is thrown on the wheel (probably the same kind of footwheel that is still found in the Indus region and to the west to this day, as distinguished from the Indian spun wheel common throughout the remaining parts of the subcontinent). The majority of the pottery is competent plain ware, well formed and fired but lacking in aesthetic appeal. A substantial portion of the pottery has a red slip and is painted with black decoration. Larger pots were probably built up on a turntable. Among the painted designs, conventionalized vegetable patterns are common, and the elaborate geometric designs of the painted pottery of Baluchistan give way to simpler motifs, such as intersecting circles or a scale pattern. Birds, animals, fish, and more-interesting scenes are comparatively rare. Of the vessel forms, a shallow platter on a tall stand (known as the offering stand) is noteworthy, as is a tall cylindrical vessel perforated with small holes over its entire length and often open at top and bottom. The function of this latter vessel remains a mystery.
Although little has survived, very great interest attaches to the fragments of cotton textiles recovered at Mohenjo-daro. These provide the earliest evidence of a crop and industry for which India has long been famous. It is assumed that the raw cotton must have been brought in bales to the cities to be spun, woven, and perhaps dyed, as the presence of dyers’ vats would seem to indicate.
Stone, although largely absent from the great alluvial plain of the Indus, played a major role in Harappan material culture. Scattered sources, mostly on the periphery, were exploited as major factory sites. Thus, the stone blades found in great numbers at Mohenjo-daro originated in the flint quarries at Sukkur, where they were probably struck in quantity from prepared cores.
Trade and external contacts
It has been seen above that the area covered by the Indus civilization had a remarkably uniform level of material culture. This suggests a closely knit and integrated administration and implies internal trade within the state. Evidence of the actual exportation of objects is not always easy to find, but the wide diffusion of chert blades made of the characteristic Sukkur stone and the enormous scale of the factory at the Sukkur site strongly suggest trade. Other items also appear to indicate trade, such as the almost identical bronze carts discovered at Chanhu-daro and Harappa, for which a common origin must be postulated.
The wide range of crafts and special materials employed must also have caused the establishment of economic relations with peoples living outside the Harappan state. Such trade may be considered to be of two kinds: first, the obtaining of raw materials and other goods from the village communities or forest tribes in regions adjoining the Indus culture area; and second, trade with the cities and empires of Mesopotamia. There is ample indication of the former type, even if the regions from which specific materials were derived are not easy to pinpoint. Gold was almost certainly imported from the group of settlements that sprang up in the vicinity of the goldfields of northern Karnataka, and copper could have come from several sources—principally from Rajasthan. Lead may have come from Rajasthan or elsewhere in India. Lapis lazuli was probably imported from Iran rather than directly from the mines at Badakhshan, and turquoise probably also came from Iran. Among others were fuchsite (a chromium-rich variety of muscovite) from Karnataka, alabaster from Iran, amethyst from Maharashtra, and jade from Central Asia. There is little evidence of what the Harappans gave in exchange for these materials—possibly nondurable goods such as cotton textiles and probably various types of beads. They may have also bartered tools or weapons of copper.
For the trade with Mesopotamia there is both literary and archaeological evidence. The Harappan seals were evidently used to seal bundles of merchandise, as clay seal impressions with cord or sack marks on the reverse side testify. The presence of a number of Indus seals at Ur and other Mesopotamian cities and the discovery of a “Persian Gulf” type of seal at Lothal—otherwise known from the Persian Gulf ports of Dilmun (present-day Bahrain) and Faylakah, as well as from Mesopotamia—provide convincing corroboration of the sea trade suggested by the Lothal dock. Timber and precious woods, ivory, lapis lazuli, gold, and luxury goods such as carnelian beads, pearls, and shell and bone inlays, including the distinctly Indian kidney shape, were among the goods sent to Mesopotamia in exchange for silver, tin, woolen textiles, and grains and other foods. Copper ingots appear to have been imported to Lothal from a place known as Magan (possibly in present-day Oman). Other probable trade items include products originating exclusively in each respective region, such as bitumen, occurring naturally in Mesopotamia, and cotton textiles and chickens, major products of the Indus region not native to Mesopotamia.
Mesopotamian trade documents, lists of goods, and official inscriptions mentioning Meluhha (the ancient Akkadian name for the Indus region) supplement Harappan seals and archaeological finds. Literary references to Meluhhan trade date from the Akkadian, Ur III, and Isin-Larsa periods (i.e., c. 2350–1794 bce), but, as texts and archaeological data indicate, the trade probably started in the Early Dynastic Period (c. 2600 bce). During the Akkadian Period, Meluhhan vessels sailed directly to Mesopotamian ports, but by the Isin-Larsa Period, Dilmun was the entrepôt for Meluhhan and Mesopotamian traders. By the subsequent Old Babylonian Period, trade between the two cultures evidently had ceased entirely.
Language and scripts, weights and measures
The maintenance of so extensive a set of relations as those implicit in the size and uniformity of the Harappan state and the extent of trade contacts must have called for a well-developed means of communication. The Harappan script has long defied attempts to read it, and therefore the language remains unknown. Relatively recent analyses of the order of the signs on the inscriptions have led several scholars to the view that the language is not of the Indo-European family, nor is it close to Sumerian, Hurrian, or Elamite. If it is related to any modern language family, it appears to be the Dravidian, presently spoken throughout the southern part of the Indian peninsula; an isolated member of this group, the Brahui language, is spoken in western Pakistan, an area closer to those regions of Harappan culture. The script, which was written from right to left, is known from the 2,000-odd short inscriptions so far recovered, ranging from single characters to inscriptions of about 20 characters. There are more than 500 signs, many appearing to be compounds of two or more other signs, but it is not yet clear whether these signs are ideographic, logographic, or other. Numerous studies of the inscriptions have been made during the past decades, including those by a Russian team under Yury Valentinovich Knorozov and a Finnish group led by Asko Parpola. Despite various claims to have read the script, there is still no general agreement.
The Harappans also employed regular systems of weights and measures. An early analysis of a fair number of the well-formed chert cuboid weights suggested that they followed a binary system for the lower denominations—1, 2, 4, 8, 16, 32, 64—and a decimal system for the larger weights—160, 200, 320, 640, 1,600, 3,200, 6,400, 8,000, and 12,800—with the unit of weight being calculated as 0.8565 gram (0.0302 ounce). However, a more recent analysis, which included additional weights from Lothal, suggests a rather different system, with weights belonging to two series. In both series the underlying principle was decimal, with each decimal number multiplied and divided by two, giving for the main series ratios of 0.05, 0.1, 0.2, 0.5, 1, 2, 5, 10, 20, 50, 100, 200, 500(?). This suggests that there is still much work to be done to understand the full complexity of the weight system. Several scales of measurement were found in the excavations. One was a decimal scale of 1.32 inches (3.35 cm) rising probably to 13.2 inches (33.5 cm), apparently corresponding to the “foot” that was widespread in western Asia; another is a bronze rod marked in lengths of 0.367 inch (0.93 cm), apparently half a digit of a “cubit” of 20.7 inches (52.6 cm), also widespread in western Asia and Egypt. Measurements from some of the structures show that these units were accurately applied in practice.
It has also been suggested that certain curious objects may have been accurately made optical squares with which surveyors might offset right angles. In view of the accuracy of so much of the architectural work, this theory appears quite plausible.
Social and political system
Despite a growing body of archaeological evidence, the social and political structures of the Indus “state” remain objects of conjecture. The apparent craft specialization and localized craft groupings at Mohenjo-daro, along with the great divergence in house types and size, point toward some degree of social stratification. Trade was extensive and apparently well-regulated, providing imported raw materials for use at internal production centers, distributing finished goods throughout the region, and arguably culminating in the establishment of Harappan “colonies” in both Mesopotamia and Badakhshan. The remarkable uniformity of weights and measures throughout the Indus lands, as well as the development of such presumably civic works as the great granaries, implies a strong degree of political and administrative control over a wide area. Further, the widespread occurrence of inscriptions in the Harappan script almost certainly indicates the use of a single lingua franca. Nevertheless, in the absence of inscriptions that can be read and interpreted, it is inevitable that far less is known of these aspects of the Indus civilization than those of contemporaneous Mesopotamia.
Art
The excavations of the Indus cities have produced much evidence of artistic activity. Such finds are important, because they provide an insight into the minds, lives, and religious beliefs of their creators. Stone sculpture is extremely rare, and much of it is quite crude. The total repertoire cannot compare to the work done in Mesopotamia during the same periods. The figures are apparently all intended as images for worship. Such figures include seated men, recumbent composite animals, or—in unique instances (from Harappa)—a standing nude male and a dancing figure. The finest pieces are of excellent quality. There is also a small but notable repertoire of cast-bronze figures, including several fragments and complete examples of dancing girls, small chariots, carts, and animals. The technical excellence of the bronzes suggests a highly developed art, but the number of examples is still small. They appear to be Indian workmanship rather than imports.
The popular art of the Harappans was in the form of terra-cotta figurines. The majority are of standing females, often heavily laden with jewelry, but standing males—some with beard and horns—are also present. It has been generally agreed that these figures are largely deities (perhaps a Great Mother and a Great God), but some small figures of mothers with children or of domestic activities are probably toys. There are varieties of terra-cotta animals, carts, and toys—such as monkeys pierced to climb a string and cattle that nod their heads. Painted pottery is the only evidence that there was a tradition of painting. Much of the work is executed with boldness and delicacy of feeling, but the restrictions of the art do not leave much scope for creativity.
The steatite seals, to whose manufacture reference was made above, form the most extensive series of objects of art in the civilization. The great majority show a humpless “unicorn” or bull in profile, while others show the Indian humped bull, elephant, bison, rhinoceros, or tiger. The animal frequently stands before a ritual object, variously identified as a standard, a manger, or even an incense burner. A considerable number of the seals contain scenes of obvious mythological or religious significance. The interpretation of these seals is, however, often highly problematic. The seals were certainly more widely diffused than other artistic artifacts and show a much higher level of workmanship. Probably they functioned as amulets, as well as more-practical devices to identify merchandise.
Religion and burial customs
In spite of the unread inscriptions, there is a considerable body of evidence that allows for conjecture concerning the religious beliefs of the Harappans. First, there are the buildings identified as temples or as possessing a ritual function, such as the Great Bath at Mohenjo-daro. Then there are the stone sculptures found to a large extent associated with these buildings. Finally, there are the terra-cotta figures, as well as the seals and amulets that depict scenes with evident mythological or religious content. The interpretation of such data necessarily involves a largely subjective element, but most commentators have thought that they indicate a religious system that was already distinctly Indian. It is assumed that there was a Great God, who had many of the attributes later associated with the Hindu god Shiva, and a Great Mother, who was the Great God’s spouse and shared the attributes of Shiva’s wife Durga-Parvati. Evidence also exists of some sort of animal cult, related particularly to the bull, the buffalo, and the tiger. Mythological animals include a composite bull-elephant. Some seals suggest influence from or at least traits held in common with Mesopotamia; among these are the Gilgamesh (Mesopotamian epic) motif of a man grappling with a pair of tigers and the bull-man Enkidu (a human with horns, tail, and rear hooves of a bull). Among the most interesting of the seals are those that depict cult scenes or symbols; a god, seated in a yogic (meditative) posture and surrounded by beasts, with a horned headdress and erect phallus; the tree spirit with a tiger standing before it; the horned tree spirit confronted by a worshiper; a composite beast with a line of seven figures standing before it; the pipal leaf motif; and the swastika (a symbol still widely used by Hindus, Jains, and Buddhists).
Many burials have been discovered, giving clear indication of belief in an afterlife. The cemeteries excavated at Harappa, Lothal, and Kalibangan are clearly separated from the settlement and show that the predominant rite was extended inhumation, with the body lying on its back and the head generally positioned to the north. Quantities of pottery were placed in the graves, and sometimes personal ornaments adorned the bodies. Some graves took the form of brick chambers within which the body was placed. At Lothal several pairs of skeletons were found in the same grave, and it has been suggested that this is an indication of some form of suttee (a later Hindu custom in which wives end their lives after the death of the husband).
The end of the Indus civilization
There is no general agreement regarding the causes of the breakdown of Harappan urban society. Broadly speaking, the principal theories thus far proposed fall under four headings. The first is gradual environmental change, such as a shift in climatic patterns and consequent agricultural disaster, perhaps resulting from excessive environmental stress caused by population growth and overexploitation of resources. Second, some scholars have postulated more-precipitous environmental changes, such as tectonic events leading to the flooding of Mohenjo-daro, the drying up of the Sarawati River, or other such calamities. Third, it is conceivable that human activities, such as invasions of tribespeople from the hills to the west of the Indus valley, perhaps even Indo-Aryans, contributed to the breakdown of Indus external trade links or more directly disrupted the cities. The fourth theory posits the occurrence of an epidemic or a similar agent of devastation. It appears likely that some complex of natural forces compromised the fabric of society and that subsequent human intervention hastened its complete breakdown.
Post-Harappan developments
The Post-Urban Period in northwestern India
It is still far from certain at what date the urban society broke down. The decline probably occurred in several stages, perhaps over a century or more; the period between about 2000 and 1750 bce is a reasonable estimation. The collapse of the urban system does not necessarily imply a complete breakdown in the lifestyle of the population in all parts of the Indus region, but it seems to have involved the end of whatever system of social and political control had preceded it. After that date the cities, as such, and many of their distinctively urban traits—the use of writing and of seals and a number of the specialized urban crafts—disappear. The succeeding era, which lasted until about 750 bce, may be considered as Post-Harappan or, perhaps better, as “Post-Urban.”
In Pakistan’s Sind province the Post-Urban phase is recognizable in the Jhukar culture at Chanhu-daro and other sites. There certain copper or bronze weapons and tools appear to be of “foreign” type and may be compared to examples from farther west (Iran and Central Asia); a different but parallel change is seen at Pirak, not far from Mehrgarh. In the Kachchh and Saurashtra regions there appears to have been a steady increase in the number of settlements, but all are small and none can compare with such undoubtedly Harappan cities as Dholavira. In this region, however, the distinctive foreign metal elements are less prominent.
An intriguing development occurs along the Saraswati valley: there the early Post-Urban stage is associated with the pottery known from the Cemetery H at Harappa. This coincides with a major reduction in both the number and size of settlements, suggesting a deterioration in the environment. In the eastern Punjab too there is a disappearance of the larger, urban sites but no comparable reduction in the number of smaller settlements. This is also true of the settlements farther east in the Ganges-Yamuna valleys. It is probably correct to conclude that, in each of these areas during the Post-Urban Period, material culture exhibited some tendency to develop regional variations, sometimes showing continuations of features already present during the Pre-Urban and Urban phases.
The appearance of Indo-Aryan speakers
Scholars have traditionally agreed that a people speaking Old Indo-Aryan dialects of the Indo-Iranian branch of the Indo-European language family arrived in the Indian subcontinent during the late 3rd and 2nd millennia bce. These newcomers purportedly came from the steppes to the north and east of the Caspian Sea, moving first southward into the southern parts of Central Asia and from there fanning out across the Iranian plateau and spreading throughout northern India, disrupting the established sedentary culture and driving its Dravidian-speaking inhabitants of the Indus civilization southward. The movement itself remains hypothetical, but evidence from cemeteries at Sibri and south of Mehrgarh, near the mouth of the Bolan Pass, shows striking parallels—including foreign copper and bronze tools and weapons and typical pottery forms—with that from cemeteries of the Sapalli-Tepe group in Tajikistan and Uzbekistan. This correspondence suggests a date of about 2000 bce for the presence of these people on the borders of the Indus system.
However, it is even more difficult to identify traces that may be associated with the movement of Indo-Aryan speakers into the central Indus plains or to determine whether the occasional copper or bronze weapons of foreign type found in late contexts at Mohenjo-daro or Chanhu-daro are evidence of their presence there. Moreover, even if Indo-Aryans actually conquered some of the Indus cities and established hegemony over the local population, it has to be explained why they appear to have given up many of their distinctive material products while presumably retaining their distinctive speech.
One hypothesis is that between about 2000 and 1500 bce not an invasion but a continuing spread of Indo-Aryan speakers occurred, carrying them much farther into India, to the east and south, and coinciding with a growing cultural interaction between the native population and the new arrivals. From these processes a new cultural synthesis emerged, giving rise by the end of the 2nd millennium to the conscious expressions of Aryan ethnicity found in the Rigveda, particularly in the later hymns (see Early Vedic Period).
A more recent and controversial theory put forward by such scholars as American Jim G. Shaffer and Indian B.B. Lal suggests that Aryan civilization did not migrate to the subcontinent but was an original ethnic and linguistic element of pre-Vedic India. This theory would explain the dearth of physical signs of any putative Aryan conquest and is supported by the high degree of physical continuity between Harappan and Post-Harappan society.
The late 2nd millennium and the reemergence of urbanism
Toward the end of the 2nd millennium there appears to have been a further deterioration in the environment throughout the Indus system. Many of the Post-Urban settlements seem to have been abandoned, and traces are found of temporary settlements that were probably associated with nomadic pastoral groups and distinguished by the poverty of their material culture. Along the Saraswati there is further evidence of the drying up of the Derawar oasis, with a further decline in the number and size of settlements. As yet, these events are not properly dated, but they may tentatively be assigned to a period from about 1200–800 bce. In Saurashtra a similar if less extreme decline in the number of settlements is also evident. Even much farther south, in Maharashtra, the opening of the 1st millennium seems to have coincided with a period of desiccation, in which the flourishing agricultural settlements at sites such as Inamgaon declined; temporary encampments of pastoral nomads indicate a general deterioration in the standard of living.
To the north, in Punjab, Haryana, and the upper Gangetic plain, such deterioration is less apparent, perhaps because the proximity of the Himalayas produced a higher level of rainfall. It is in this area that a new tendency emerges—the expansion of settlements associated with the pottery known as Painted Gray Ware. This characteristic ceramic accompanied a spread of settlements toward the east into the upper Ganges-Yamuna valleys and constitutes a distinguishing feature of the process of development that, by the second quarter of the 1st millennium bce, gave rise to the first cities of the Ganges system. (The previous wave of urbanization appears not to have penetrated below the upper Gangetic plain.)
Another factor that coincided with, if not actually contributed to, the new process of change is the beginning and spread of iron working. The earliest dated occurrence of iron is probably that from about 1200 to 1100 bce at Pirak in the Kachchhi region. Comparably early dates are suggested at other widely scattered sites, but it probably took many years for the use of iron in almost all types of toolmaking to become common in all regions. During this period an increasingly marked contrast may be observed between the growing number of cities across the north and the relatively less-developed settlement pattern of peninsular India, where a mixture of small-scale agriculture and pastoralism coincided with the appearance of the various types of “Megalithic” graves and monuments.
Peninsular India in the aftermath of the Indus civilization (c. 2000–1000 bce)
It was stated above that the earliest known settlements in peninsular India appeared early in the 3rd millennium and showed either a mixed agricultural or strongly pastoral character. From about 2000 bce there appears to have been a general expansion of these settlements. It is sometimes suggested that this expansion may have been in some way a result of the end of the Indus civilization and that large numbers of “Harappans” migrated to the south. There is little solid evidence to support this view, and it appears rather that the development was primarily indigenous.What is particularly noteworthy is the way in which regional cultural variants occurred throughout peninsular India and often seem to be ancestral to the major cultural regions known from later historical times. In Maharashtra the excavations at Inamgaon have provided the clearest picture so far of the developments and changes that took place in one of these regions. There can be seen the variety of crops and domestic animals, the changing house types, suggestions of tribal chiefdoms, limited craft specialization, and trade. Copper and bronze artifacts, though still relatively scarce, appear alongside stone blades and axes. This mixed technology continued until the time when iron became common. Farther south, in Karnataka and Tamil Nadu, there is similar evidence, although the staple crop appears to have been millet, and wheat and barley are absent.
Frank Raymond Allchin