Camargo Society

British organization
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites
Quick Facts
Date:
1930 - 1933
Areas Of Involvement:
commission

Camargo Society, group credited with keeping ballet alive in England during the early 1930s. Named after Marie Camargo, the noted 18th-century ballerina, the society was formed in 1930 by Philip J.S. Richardson, the editor of Dancing Times, the critic Arnold Haskell, and other patrons to stimulate interest in creating a national ballet. For the next three years the group annually commissioned three or four ballets on a subscription basis. The productions used mainly native talent, relying heavily on dancers from the small Rambert and de Valois groups and on young and unknown choreographers. In 1933 the Camargo Society’s repertoire was incorporated into the Vic-Wells (now the Royal) Ballet.