magic

supernatural phenomenon
print Print
Please select which sections you would like to print:
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

magic, a concept used to describe a mode of rationality or way of thinking that looks to invisible forces to influence events, effect change in material conditions, or present the illusion of change. Within the Western tradition, this way of thinking is distinct from religious or scientific modes; however, such distinctions and even the definition of magic are subject to wide debate.

Nature and scope

Practices classified as magic include divination, astrology, incantations, alchemy, sorcery, spirit mediation, and necromancy. The term magic is also used colloquially in Western popular culture to refer to acts of conjuring and sleight of hand for entertainment. The purpose of magic is to acquire knowledge, power, love, or wealth; to heal or ward off illness or danger; to guarantee productivity or success in an endeavour; to cause harm to an enemy; to reveal information; to induce spiritual transformation; to trick; or to entertain. The effectiveness of magic is often determined by the condition and performance of the magician, who is thought to have access to unseen forces and special knowledge of the appropriate words and actions to manipulate those forces.

Phenomena associated or confused with magic include forms of mysticism, medicine, paganism, heresy, witchcraft, shamanism, Vodou, and superstition. Magic is sometimes divided into the "high" magic of the intellectual elite, bordering on science, and the "low" magic of common folk practices. A distinction is also made between "black" magic, used for nefarious purposes, and "white" magic, ostensibly used for beneficial purposes. Although these boundaries are often unclear, magical practices have a sense of "otherness" because of the supernatural power that is believed to be channeled through the practitioner, who is a marginalized or stigmatized figure in some societies and a central one in others.

Elements of magic

Spells

The performance of magic involves words (e.g, spells, incantations, or charms) and symbolic numbers that are thought to have innate power, natural or man-made material objects, and ritual actions performed by the magician or other participants. A spell or incantation is believed to draw power from spiritual agencies to accomplish magic. Knowledge of spells or symbolic numbers is often secret (occult), and the possessor of such knowledge can be either greatly revered or feared. In some cases, the spell is the most highly regarded component of the magical rite or ceremony. The Trobriand Islanders of Melanesia, for example, regarded using the right words in the right way as essential to the efficacy of the rite being performed. Among the Maori of New Zealand the power of words is thought to be so important that mistakes in public recitations are believed to cause disasters for individuals or the community. Moreover, like the medieval European charms that used archaic languages and parts of the Latin liturgy, spells often employ an esoteric vocabulary that adds to the respect accorded rites. Belief in the transformative power of words is also common in many religions. Shamans, spirit mediums, and mystics, for example, repeat specific sounds or syllables to achieve an ecstatic state of contact with spiritual forces or an enlightened state of consciousness. Even modern magic for entertainment retains a residual of the spell with its use of the term abracadabra.

Material

Much anthropological literature refers to the objects used in magic as "medicines," hence the popular use of the term medicine man for magician. These medicines include herbs, animal parts, gemstones, sacred objects, or props used in performance and are thought to be potent in themselves or empowered by incantations or rituals. In some cases, medicines that are intended to heal are physiologically effective; for example, the poppy is used widely as an anesthetic, willow bark is used by some Chinese as an analgesic, and garlic and onions were used as antibiotics in medieval Europe. Other medicines that are meant to cause harm, such as toad extracts and bufadienolides, are, in fact, known poisons. Other materials have a symbolic relationship to the intended outcome, as with divination from animal parts. In scapulamancy (divination from a sheep shoulder bone), for example, the sheep’s bone reflects the macrocosmic forces of the universe. In sorcery a magician may employ something belonging to the intended victim (e.g., hair, nail parings, or a piece of clothing) as part of the ritual. The rite itself may be symbolic, as with the drawing of protective circles in which to call up spirits, the sprinkling of water on the ground to make rain, or the destruction of a wax image to harm a victim. Plants or other objects can also symbolize desired outcomes: in rites to ensure a canoe’s speed, the Trobriand use light vegetable leaves to represent the ease with which the craft will glide over the water; the Zande of South Sudan place a stone in a tree fork to postpone the setting of the sun; and many Balkan peoples once swallowed gold to cure jaundice.