Kabbalistic tales

In the 16th century, Jewish myth and legend took several new directions. The disappointment of messianic expectations through the dismal eclipse of the pretender Shabbetai Tzevi increased interest in occult speculation and in the mystical lore of the Kabbala. Important schools of Kabbala arose in Italy and at Safed, in Palestine, and tales of the miraculous Faust-like powers of masters such as Isaac Luria (1534–72) and Ḥayyim ben Joseph Vital (also known as Ḥayyim Vital Calabrese) circulated freely after their deaths.

Another reaction to the dashing of messianic hopes is represented by the beautiful story of the Kabbalist Joseph della Reyna and his five disciples, who travel through the world to oust Satan and prepare the way for the Deliverer. Warned by the spirits of such worthies as Rabbi Simeon ben Yoḥai and the prophet Elijah, they nevertheless procure their blessing and are sent on to the angel Metatron. The latter furnishes them with protective spells and spices and advises Joseph to inscribe the ineffable name of God on a metal plate. When, however, they reach the end of their journey, Satan and his wife, Lilith, attack them in the form of huge dogs. When the dogs are subdued, they beg for food, and Joseph gives them spices to revive them. At once they summon a host of devils, which causes two of the disciples to die of terror and two to go mad, leaving only Joseph and a disciple. The messiah weeps in heaven, and Elijah hides the great horn of salvation. A voice rings out telling Joseph that it is vain to attempt to hasten the footsteps of the Redeemer.

The repertoire of Jewish tales and legends was seasoned by other elements. During the 16th century—the age of the great European navigators—stories began to circulate about the discovery of the Ten Lost Tribes in remote parts of the world.

Judeo-German (Yiddish) tales

In the 16th century, Judeo-German (Yiddish) came to replace Hebrew as the language of Jewish tales and legends in Europe, primarily because of the desire to render them accessible to women unschooled in the sacred tongue. The synagogal lessons from Scripture were embellished in Yiddish in the so-called Taitsh Humesh (“Yiddish Pentateuch”), in the more fancifully titled Tzeʾena u-reʾena (“Go Forth and See”; compare Song of Solomon 3:11), and in adaptations of the story of Esther designed for dramatic presentation on the feast of Purim. The Hebrew Chronicles of Josippon also assumed Yiddish dress. More-secular productions include a verse rendition of the Arthurian legend, titled Artus Hof (“The Court of King Arthur”) and based largely on Gravenberg’s medieval Wigalois, and the Bove Buch by Elijah Levita (1469–1549), which retold the romance of Sir Bevis of Southampton.

These “frivolous” productions were offset by collections of moral and ethical tales. The main examples of these are the Brantspiegel (1572; “Brant Mirro”), attributed to Moses Henoch, and the Maʿaseh Buch (1672; “Story Book”), a compendium of 254 tales compiled by Jacob ben Abraham of Meseritz and first published at Basel. The latter, drawn mainly from the Talmud, was supplemented by later legends about medieval rabbis. Jewish legends also circulated in the form of chapbooks, a large selection of which is preserved in the library of the Yiddish Scientific Institute in New York City.

Judeo-Persian and Judeo-Spanish (Ladino) tales

A similar development, though on a lesser scale, took place among Jews who spoke other vernacular dialects. Major monuments of Judeo-Persian literature are poetic embellishments of biblical narratives composed by Shāhīn of Shīrāz in the 14th century and by Joseph ben Isaac Yahudi (i.e., “the Jew”) some 300 years later. These, however, are exercises in virtuosity rather than in creative storytelling. Versified elaborations of the story of Joseph appear in Judeo-Spanish (Ladino) in Coplas de Yoçef (“Song of Joseph”), composed in 1732 by Abraham de Toledo and embodying a certain amount of traditional Haggadic material. From a revival of literary activity in the 18th century comes a comprehensive “legendary Bible” called Me-ʿam LoʿḥḲ ą, “From a People of Strange Tongue” (compare Psalms 114:1), begun by Jacob Culi (died 1732) and continued by later writers, as well as several renderings of standard Hebrew collections and a number of Purim plays. Judeo-Spanish folktales were still current in Macedonia and Yugoslavia until the Nazi occupation of the early 1940s, but these stories drew more from Balkan than from Jewish sources.

Hasidic tales

The rise of the Hasidic sect in eastern Europe at the end of the 18th century engendered a host of legends (circulated mainly through chapbooks) concerning the lives, wise sayings, and miracles of tzaddiqim, or masters, such as Israel ben Eliezer, “the Besht” (1700–60), and Dov Baer of Meseritz (died 1772). These tales, however, are anecdotes rather than formally structured stories and often borrow from non-Jewish sources.

Droll stories

To the popular creativity of the ghetto belong also the droll tales of the Wise Men of Chełm (in Poland)—Jewish counterparts of the German noodles (“stupid people”; hence “noodle stories”) of Schildburg and of the more familiar Wise Men of Gotham (in England). These too were circulated mainly in Yiddish popular prints. A typical story is that of the two “sages” who went for a walk, one with an umbrella and the other without one. Suddenly it began to rain. “Open your umbrella,” said the one without one. “It won’t help,” answered the other, “it’s full of holes.” “Then why did you bring it?” rejoined his friend. “I didn’t think it would rain,” was the reply.

Modern Israeli folktales

The gathering of Jews from many lands into the State of Israel has made that country a treasure trove for the student of Jewish folktales. Assiduous work was undertaken by Dov Noy of the Hebrew University of Jerusalem, aided by enthusiastic amateurs throughout the country. Mainly, however, the stories are retellings of traditional material.