- Rabbinic Judaism (2nd–18th century)
Myths
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Biblical myths are found mainly in the first 11 chapters of Genesis, the first book of the Bible. They are concerned with the creation of the world and the first man and woman, the origin of the current human condition, the primeval Deluge, the distribution of peoples, and the variation of languages.
The basic stories are derived from the popular lore of the ancient Middle East; parallels can be found in the extant literature of the peoples of the area. The Mesopotamians, for instance, also knew of an earthly paradise such as Eden, and the figure of the cherubim—properly griffins rather than angels—was known to the Canaanites. In the Bible, however, this mythical garden of the gods becomes the scene of man’s fall and the background of a story designed to account for the natural limitations of human life. Similarly, the Babylonians told of the formation of humankind from clay. But, whereas in the pagan tale the first man’s function is to serve as an earthly menial of the gods, in the scriptural version his role is to rule over all other creatures. The story of the Deluge, including the elements of the ark and the dispatch of the raven and dove, appears already in the Babylonian myths of Gilgamesh and Atrahasis. There, however, the hero is eventually made immortal, whereas in the Bible this detail is omitted because, to the Israelite mind, no child of woman could achieve that status. Lastly, while the story of the Tower of Babel was told originally to account for the stepped temples (ziggurats) of Babylonia, to the Hebrew writer its purpose is simply to inculcate the moral lesson that humans should not aspire beyond their assigned station.
Scattered through the Prophets and Holy Writings (the two latter portions of the Hebrew Bible) are allusions to other ancient myths—e.g., to that of a primordial combat between YHWH and a monster variously named Leviathan (Wriggly), Rahab (Braggart), or simply Sir Sea or Dragon. The Babylonians told likewise of a fight between their god Marduk and the monster Tiamat; the Hittites told of a battle between the weather god and the dragon Illuyankas; while a Canaanite poem from Ras Shamra (ancient Ugarit) in northern Syria relates the discomfiture of Sir Sea by the deity Baal and the rout of an opponent named Leviathan. Originally, this myth probably referred to the annual subjugation of the floods.
Ancient myths are utilized also in the form of passing allusions or poetic “conceits,” much as modern Westerners may speak of Cupid or the Muses. In the prophetic books, for example, there are references to a celestial upstart hurled to earth on account of his brashness and to the imprisonment of certain rebellious constellations.
The prophets used myths paradigmatically to illustrate the hand of God in contemporary events or to reinforce their prophecies. Thus, to Isaiah the primeval dragon was the symbol of the continuing force of chaos and evil that will again have to be vanquished before the kingdom of God can be established on earth. Similarly, for Ezekiel the celestial upstart serves as the prototype of the prince of Tyre, destined for an imminent fall; and Habakkuk sees in the impending rout of certain invaders a repetition on the stage of history of YHWH’s mythical sortie against the monster of the sea.
Legends and other tales
Legends in the Hebrew Scriptures often embellish the accounts of national heroes with standard motifs drawn from popular lore. Thus, the Genesis story of Joseph and Potiphar’s wife recurs substantially (but with other characters) in an Egyptian papyrus of the 13th century bce. The account of the infant Moses being placed in the bulrushes (in Exodus) has an earlier counterpart in a Babylonian tale about Sargon, king of Akkad (c. 2334–c. 2279 bce), and is paralleled later in legends associated with the Persian Cyrus and with Tu-Küeh, the fabled founder of the Turkish nation. Jephthah’s rash vow (in Judges), whereby he is committed to sacrifice his daughter, recalls the Classical legend of Idomeneus of Crete, who was similarly compelled to slay his own son. The motif of the letter whereby David engineers the death in battle of Bathsheba’s husband recurs in Homer’s story of Bellerophon. The celebrated judgment of Solomon concerning the child claimed by two contending women is told, albeit with variations of detail, about Buddha, Confucius, and other sages; the story of how Jonah was swallowed by a “great fish” but was subsequently disgorged intact finds a parallel in the Indian tale of the hero Shaktideva, who endured the same experience during his quest for the Golden City. On the other hand, it should be observed that many of the parallels commonly cited from the folklore of indigenous peoples may be mere repetitions of biblical material picked up from Christian missionaries.
Folktales in the Hebrew Bible sometimes serve to account for the names of places in Palestine or for the origins of traditional customs and institutions. Thus, the familiar story of the man who must struggle with the personified current of a river before he can cross it is localized (in Genesis) at the ford of Jabbok simply because that name suggests the Hebrew word abḳ (“struggle”), and Samson’s felling of 1,000 Philistines with the jawbone of an ass is placed at Ramath-leḥi because leḥi is Hebrew for “jawbone.” Similarly, a taboo against eating the thigh muscle of an animal is validated in Genesis by the legend that Jacob was struck in the hip when he fought with an otherworldly being at Penuel (“Face of God”). The custom of annually bewailing the vanished spirit of fertility is rationalized in Judges as a lamentation for the hapless daughter of Jephthah.
The Hebrew Bible also contains a few examples of fables (didactic tales in which animals or plants play human roles). Thus, the serpent in Eden talks to Eve, and Balaam’s ass not only speaks but also seeks to avoid an angel, unseen by Balaam, that is blocking the road, while trees compete for kingship in the celebrated parable of Jotham in Judges. Finally, in the Book of Job (38:31) there are allusions to star myths concerning the binding of Orion (called “the Fool”) and the “chaining” of the Pleiades.
Contemporary interpretations
The tendency to interpret biblical tales and legends as authentic historical records or as allegories or as the relics of solar, lunar, and astral myths is now a thing of the past. The modern folklorist is interested in the legends because they push back to remote antiquity several tales and motifs long known from later literature. For the theologian, however, they pose the deeper problem of distinguishing clearly between the permanent message of Scripture and the form in which it is conveyed. The process of “demythologization” is one of the central concerns of modern religious thought. It recognizes that the natural language of religious truth is myth; thus, the continuing relevance of ancient scriptures depends not on the total rejection of that vehicle but rather on the expansion and remodeling of it—i.e., on “remythologization” rather than demythologization. In the final analysis, the traditional portrayal of God himself is simply a mythical representation of ultimate reality, but that reality transcends the particular images in which it happens to be expressed. At the same time, it is important to note that, whereas in the modern world scriptural myths are generally understood as metaphors, in the ancient world they were accepted as literal statements of fact. Gods, for example, were not merely “personifications” of natural phenomena but rather the effective potencies of the phenomena themselves conceived from the start as personal beings.
Myth and legend in the Persian period
In 539 bce the Jews came under Persian domination and consequently absorbed a good deal of Iranian folklore about spirits and demons, the eventual dissolution of the world in a fiery ordeal, and its subsequent renewal. This introduced new elements into Jewish popular mythology: hierarchies of angels; archangels such as Michael, Gabriel, and Uriel (modeled loosely upon the six Iranian spiritual entities, the amesha spentas); and the demonic figures of Satan, Belial, and Asmodeus (corresponding to the Iranian Angra Mainyu [Ahriman], Druj, and Aēshma Daeva). There was also a preoccupation with apocalyptic visions of heaven and hell and of the Last Days. Unfortunately, no Jewish texts of this genre from the Persian period are extant, so these new elements can be recognized only inferentially from their survival in later times—notably in products of the ensuing Hellenistic Age, such as the Dead Sea Scrolls.
The principal monument of Jewish story in the Persian period is the biblical Book of Esther, which is basically a Judaized version of a Persian novella about the shrewdness of harem queens. The story was adapted to account for Purim, a popular festival, which itself is probably a transformation of the Persian New Year. Leading elements of the tale—such as the parade of Mordecai, dressed in royal robes, through the streets, the fight between the Jews and their adversaries, and the hanging of Haman and his sons—seem to reflect customs associated with Purim, such as the ceremonial ride of a common citizen through the capital, the mock combat between two teams representing the Old Year and the New Year, and the execution of the Old Year in effigy.
Myth and legend in the Hellenistic period
Historiated Bibles and legendary histories
Judaism entered a new phase in 330 bce, when Alexander the Great completed his conquest of the Middle East. The dominant features of the Hellenistic Age, which began with Alexander’s death in 323, were an increasing cosmopolitanism and a fusion of ancient Middle Eastern and Greek cultures. These found expression in Jewish myth and legend in the composition (in Greek) of stories designed to link the Bible with general history, to correlate biblical and Greek legends, and to claim for the Hebrew patriarchs a major role in the development of the arts and sciences. It was asserted, for instance, that Abraham had taught astrology to the king of Egypt, that his sons and those of Keturah had aided Heracles against the giant Antaeus, and that Moses, blithely identified both with the semi-mythical Greek poet Musaeus and with the Egyptian Thoth, had been the teacher of Orpheus (the putative founder of one of the current mystery cults) and the inventor of navigation, architecture, and the hieroglyphic script. Leading writers in this vein were Artapanus, Eupolemus, and Cleodemus (all c. 100 bce), but their works are known to us only from stray quotations by the early Church Fathers Eusebius and St. Clement of Alexandria.
The Jews also adapted the current Greek literary fashion of retelling Homeric and other ancient legends in “modernized,” novelistic versions, well seasoned with romantic elaborations of their own traditions. A paraphrase of Genesis found among the Dead Sea Scrolls ornaments the biblical narrative with several familiar folklore motifs. Thus, when Noah is born, the house is filled with light, just as it is said elsewhere to have been at the birth of the Roman king Servius Tullius, of Buddha, and (later) of several Christian saints. When Abraham’s life is threatened, he dreams of a cedar about to be felled, an omen that is said to have presaged the deaths of the Roman emperors Domitian and Severus Alexander. (Although the parallels are of later date, they illustrate the persistence of age-old traditions.) The same trend toward fanciful elaboration of scriptural tales is manifested also in the Testaments of the Twelve Patriarchs (“testaments” meaning last wills), in which the virtues and weaknesses of the sons of Jacob are illustrated by moralistic legends. There is also a lengthy paraphrase of early biblical narratives, mistakenly attributed to Philo Judaeus, the famous Alexandrian Jewish philosopher of the 1st century ce.
Apocrypha and Pseudepigrapha
The principal monuments of Jewish literature during the Hellenistic period are the works known collectively as the Apocrypha and Pseudepigrapha. The former are certain later writings excluded by Jews from the canon of the Hebrew Bible but found in the Greek Septuagint version. The latter are other late writings not included in any authorized version of the Scriptures and spuriously attributed to biblical personalities.
The Apocrypha include several Judaized versions of tales well represented in other cultures. The book of Tobit, for instance, turns largely on the widespread motifs of the “grateful dead” and the demon in the bridal chamber. The former relates how a traveller who gives burial to a dishonoured corpse is subsequently aided by a chance companion who turns out to be the spirit of the deceased. The latter tells how a succession of bridegrooms die on the nuptial night through the presence of a demon beside the bridal bed. Similarly, in Bel and the Dragon (2nd century bce) there is the equally familiar motif of fraud that is detected by the imprint of the culprit’s foot on strewn ashes; the story reappears later in the French and Celtic romance of Tristan and Iseult. In the story of Susanna and the Elders (also 2nd century bce), a charge of unchastity levelled against a beautiful woman is refuted when a clever youngster (“Daniel come to judgment”) points out discrepancies in the testimony of her accusers. This well-worn story has a close parallel in a Samaritan tale about the daughter of a high priest in the 1st century ce; the motif of the clever youngster who surpasses seasoned judges recurs later in the Infancy Gospels and in the tale of ʿAlī Khamājah in The Thousand and One Nights.
The Pseudepigrapha also contain a number of folktales that have parallels in other traditions. The Martyrdom of Isaiah (1st century ce?) tells how the prophet, fleeing from King Manasseh, hid in a tree that opened miraculously, though he eventually perished when it was sawn asunder. Similar tales are related in the Talmud and in the later Persian epic Shāh-nāmeh (c. 1000 ce).
Myth and legend in the Talmud and Midrash
Midrash and Haggada
Toward the end of the 1st century ce, the canon of the Hebrew Bible was formed when certain Hebrew writings were recognized as the authoritative corpus of divine revelation. The study of the Bible became an essential element of the Jewish religion, which meant that the sacred text had to be subjected to a form of interpretation that would bring out its universal significance and permanent relevance. The process, known as Midrash (“interpretation” or “investigation”), involved the spicing of homiletic discourses with elaborative legends—a pedagogic device called Haggada (“Storytelling”). Originally transmitted orally, the legends were eventually committed to writing as part of the Talmud (the authoritative compendium of Oral Law and commentary on it), as well as in later compilations geared to particular books or sections of the Hebrew Bible, to scriptural lessons read in the services of the synagogue, or to specific biblical characters or moral themes.
The range of Haggada is virtually inexhaustible; a few representative examples must suffice. With regard to biblical characters, both Moses and David were born circumcised; Cain had a twin sister; Abraham will sit at the gate of hell to reproach the damned on Judgment Day; Aaron once locked the angel of death in the tabernacle; Solomon understood the language of animals; King Hiram, who supplied materials for the Temple, entered paradise alive; and the flesh of Leviathan will feed the righteous in the world to come.
In such fanciful elaborations of Scriptures, Haggada does not disdain to draw on Classical tales from ancient Greece and Rome. The men of Sodom, it is said, subjected itinerant strangers to the ordeal of Procrustes’ bed; the earth opened to rescue newborn Hebrew males from the pharaoh, as it did for Amphiaraus, the prophet of Argos, when he fled from Periclymenus after the attack on Thebes; Moses spoke at birth, as did Apollo; Solomon’s ring, cast into the river, was retrieved from a fish that had swallowed it, as was that of Polycrates, the tyrant of Samos, in the story told by Herodotus; the Queen of Sheba had the feet of an ass, like the child-stealing witch (Onoskelis) of Greek folklore; and no rain ever fell on the altar at Jerusalem, just as none was said to have fallen on Mt. Olympus.
There are other familiar motifs. Moses qualifies as a husband for Zipporah by alone being able to pluck a rod from Jethro’s garden; David’s harp is played at night by the wind, like that of Aeolus; and Isaiah, like Achilles and Siegfried, has only one vulnerable spot in his body—in his case, his mouth.
Legends are developed also from fanciful interpretations of scriptural verses. Thus, Adam is said to have fallen only a few hours after his creation, because the Hebrew text of Psalms 49:12 can be literally rendered “Adam does not last the night in glory.” Lamech slays the wandering Cain—a fanciful interpretation of his boast in Genesis 4:23–24. Melchizedek is immortal, in view of Psalms 110:4: “You are a priest for ever after the order of Melchizedek.” And the first man is a hermaphrodite (this notion has analogues elsewhere), because Genesis 1:27 says of God’s creation, “Male and female he created them.”
Fables and animal stories
Midrash also uses fables paralleled in non-Jewish sources. Aesop’s fable of The Lion and the Crane is quoted by a rabbi of the 1st century ce, and the tales of The Fox in the Vineyard and of The Camel Who Got Slit Ears for Wanting Horns likewise make their appearance. Material is also drawn from medieval bestiaries (manuals on animals, real or imaginary, with symbolic or moralistic interpretations). Bears, according to the bestiaries, lack mother’s milk; hares and hyenas can change sex; only one pair of unicorns exists at a time; and there is a gigantic bird (ziz) that reaches from earth to sky.
Contribution of Haggada to Christian and Islamic legends
Several of the stories related in Haggadic literature were later adapted by Christian writers. The legend that Adam was created out of virgin soil was taken to prefigure the virgin birth of the second Adam (i.e., Jesus); while the story that the soil in question was taken from the site of the future Temple was transformed into the claim that Adam had been molded out of the dust of Calvary. Similarly, the legend that, at the dedication of the Temple, the doors swung open automatically to admit the Ark of the Covenant was transferred to the consecration of a church by St. Basil (329–379); and the Talmudic tale that the bronze Nicanor gates of the Temple had floated to Jerusalem when cast overboard during their shipment from Alexandria was applied to the doors of a sacred edifice erected in honour of St. Giles (fl. 7th century).
Nor was it only the Christians who absorbed Haggadic legends. The Qurʾān, the sacred book of Islam, likewise incorporates a good deal of such material in its treatment of biblical characters such as Joseph, Moses, David, and Solomon.
