- The history of Christianity
Political relations between East and West
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The old tensions between East and West were sharpened by the quarrels about Chalcedon. In Rome every concession made by Constantinople toward the purported monophysites increased the distrust. Justinian’s condemnation of the Three Chapters (Fifth Council, Constantinople, 553) was forced on a reluctant West, parts of which had been brought back under imperial control by Justinian’s conquests. From the time of Pope Gregory I, the papacy—encouraged by the successful mission to the Anglo-Saxons—was looking as much to the Western kingdoms as to Byzantium.
The growing division between East and West was reinforced by developments outside the church itself. In the 7th century the Eastern Empire fought for its life, first against the Persians and then the Arabs, and the Balkans were occupied by the Slavs. The rise of Islam had an especially profound impact on the church and East-West relations. The Arab military conquest broke upon the Byzantine Empire in 634, just as it was exhausted after defeating Persia. The will to resist was wholly absent. Moreover, the provinces initially overrun, Syria (636) and Egypt (641), were already alienated from the Byzantine government that was persecuting non-Chalcedonian Christians in those areas. In 678 and again in 718, the Arabs were at the walls of Constantinople. The Copts in Egypt and the Syriac church soon found that they enjoyed greater toleration under Muslim Arabs than under Chalcedonian Byzantines. Christian territory from the Holy Land to Spain was conquered by the forces of Islam, and many of the inhabitants of this region eventually converted to the new faith.
The submergence of Alexandria, Antioch, and Jerusalem under Muslim rule left the patriarch of Constantinople with enhanced authority, which altered the internal dynamic of the Christian community. The attempts of the Byzantine emperors to force the papacy to accept the monothelite (one-will) compromise produced a martyr pope, St. Martin I (reigned 649–655), but the story of his tortures did nothing to make Rome love the Byzantines. When monothelitism was rejected as a heresy at the Sixth Council (Constantinople, 680–681), the imprudent pope Honorius (reigned 625–638), who had supported monothelitism, was expressly condemned, which distressed Roman defenders of papal prerogatives. Greek hostility to the West became explicit in the canons of a council held at Constantinople (Quinisext, 692) that claimed to have ecumenical status but was not recognized in Rome.
The divisions between East and West were heightened by developments in both the Latin and the Greek churches. In 726 the emperor Leo III the Isaurian, after his successful defense against the Islamic advance, introduced a policy of iconoclasm (destruction of images) to the Byzantine church that was continued and expanded by his son Constantine V. For much of the rest of the century, the empire was absorbed in the Iconoclastic Controversy, which became a struggle not only to keep icons, a traditional focus of religious veneration, but also to combat the subjection of the church to the will of the emperor. The greatest champion of icons was St. John of Damascus, an Arab monk in Muslim Palestine, who was the author of an encyclopaedic compendium of logic and theology. Within the empire, St. Theodore Studites, abbot of the Studium (monastery) near Constantinople, vigorously attacked iconoclasm, and he also led a revival of monasticism and stressed the importance of copying manuscripts. His ideals passed to the monastic houses that began to appear on Mount Athos from 963 onward.
The imperial attack on images was severely criticized in the West. Yet, after the Greek iconoclasts were condemned at the Seventh Ecumenical Council (Nicaea, 787), the bishops of the Frankish king Charlemagne, who had not been invited to Nicaea and had learned of its decrees from a faulty translation, censured the decision at the synod of Frankfurt in Germany (794). Icons were differently evaluated in the Western churches, where holy pictures were viewed as devotional aids, not—as was the case in the East—virtually sacramental media of salvation. The bishops of the Frankish church also added to the creed the Filioque (Latin: “and from the Son”) clause, which stated that the Holy Spirit proceeded from the Father and the Son. The insertion was originally rejected at Rome and Constantinople; it would, however, be adopted at Rome by the 11th century.
The hostility between the iconoclast emperors and the popes encouraged the 8th-century popes to seek a protector. This was provided by the rise of Charles Martel (mayor of the palace 715–741) and the Carolingian Franks. The Frankish kings guarded Western church interests, and the papal-Frankish alliance reached its climax in the papal coronation of Charlemagne as the first emperor at Rome on Christmas Day, 800—laying the foundation for the Holy Roman Empire, which lasted until 1806. Charlemagne exercised immense authority over the Western church, and the revival of church life produced controversies about predestination (Gottschalk, John Scotus Erigena, Hincmar of Reims) and the Eucharist (Paschasius Radbertus, Ratramnus, Rabanus Maurus). The Christological controversy was revived over the Adoptionist teachings of Felix of Urgel and Elipandus of Toledo, a dispute as to whether Christ was adopted to be Son of God.
Although Carolingian fortunes waned later in the 9th century, the Carolingians continued to assert their right to protect the church and papacy. In the 10th century, however, the Ottonian dynasty in Germany established a new imperial line and became the preeminent power in Latin Europe. The Ottos, accustomed to the tradition in which great landowners built and owned the churches on their estates as private property, treated Rome and all important sees in this spirit. Bishops were appointed on royal nomination and forbidden to appeal to Rome.
Literature and art of the “Dark Ages”
The monothelite and iconoclastic controversies produced herculean theological endeavours: the criticism of monothelitism by the monk St. Maximus the Confessor (580–662) was based upon subtle and very careful considerations of the implications of Chalcedon. The great opponents of iconoclasm, John of Damascus and Theodore Studites, also composed hymns and other theological treatises. Greek mystical theology had an outstanding representative in St. Symeon the New Theologian (949–1022), abbot of St. Mamas at Constantinople, whose doctrines about light visions anticipated the hesychasm (quietistic prayer methods) of St. Gregory Palamas in the 14th century. But the most learned theologian of the age was beyond doubt the patriarch St. Photius (see below The Photian schism).
Iconoclasm was not an anti-intellectual, anti-art movement. The iconoclasts everywhere replaced figures with the cross or with exquisite patterns. The ending of iconoclasm in 843 (the restoration of orthodoxy), however, liberated the artists adept in mosaic and fresco to portray figures once again, spurring a new revival of decoration. Music also became more elaborate; the kontakion was replaced by the kanon, a cycle of nine odes, each of six to nine stanzas and with a different melody. The kanon gave more scope to the musicians by providing greater variety. Byzantine hymns were classified according to their mode, and the mode changed each week. Besides St. John of Damascus and St. Theodore Studites, the great hymn writers of this period were Cosmas of Jerusalem and Joseph of Studium.
The so-called Dark Ages in the West produced virtually no sculpture or painting—with the notable exception of illuminated manuscripts, of which marvelous specimens were made (e.g., the Book of Kells and the Lindisfarne Gospels). The Irish and Anglo-Saxon monks did not construct noble buildings but knew how to write and to illustrate a book. In the age of Charlemagne exquisite calligraphy was continued (e.g., the Utrecht Psalter), as was the composition of illuminated manuscripts (e.g. the Coronation Gospels and the Codex aureus). Manuscripts during the Carolingian period were often bound with covers of intricate ivory and metalwork of superb finesse. Great buildings, notably the palace complex at Aachen, also began to emerge, partly based on Byzantine models, such as the churches at Ravenna. The Ottonian renaissance in Germany encouraged even more confidently the erection of church buildings, producing such masterpieces as the surviving cathedrals at Hildesheim and Spires and setting out a characteristically German style of architecture; it also continued the Carolingian tradition of manuscript illumination.
The so-called barbarian kingdoms soon produced their own Christian literature: St. Gregory of Tours wrote the history of the Franks, St. Isidore of Sevilla that of the Visigoths, and Cassiodorus that of the Ostrogoths. Isidore, utilizing his vast reading, compiled encyclopaedias on everything from liturgical ceremonies to the natural sciences. The outstanding figure of this incipient “nationalist” movement was the English monk St. Bede the Venerable, whose Ecclesiastical History of the English People was completed in 731 and whose exegetical works came to stand beside St. Augustine and St. Gregory I as indispensable for the medieval student. Carolingian authors compiled a broad range of literary works, including sermons, biblical commentaries, works on the liturgy and canon law, and theological treatises on the Eucharist, predestination, and other topics.
